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    Women and New Hollywood
    Gender, Creative Labor, and 1970s American Cinema

    Aaron Hunter (Edited by), Martha Shearer (Edited by), Alicia Kozma (Contributions by), Nicholas Forster (Contributions by), Oliver Gruner (Contributions by), Nicholas Godfrey (Contributions by), Maya Montañez Smukler (Contributions by), Karen Pearlman (Contributions by), James Morrison (Contributions by), Abigail Cheever (Contributions by), Virginia Bonner (Contributions by), Anna Backman Rogers (Contributions by), Amelie Hastie (Contributions by), Adrian Garvey (Contributions by), Maria Pramaggiore (Contributions by)

    9781978821798

    Paperback / softback, published 12 May 2023

    260 pages, 4 bw, 11 color images
    23.5 x 15.6 x 1.8 cm, 0.34 kg

    "This ambitious and impressive edited collection, with contributions from some of the field's most exciting scholars, is a much-needed feminist intervention into scholarship around the so-called 1970s Hollywood Renaissance. The essays place the women creators and collaborators—and vitally, their labor—back to the center of discussion where they belong. A stimulating and provocative read."
    — Julie Turnock, author of The Empire of Effects: Industrial Light and Magic and the Rendering of Realism

    "A major disruption of conventional narratives about New Hollywood in the 1970s, this collection demonstrates how essential women were to all levels of filmmaking and film culture during a period of fundamental transformation and transition."
    — Shelley Stamp, author of Lois Weber in Early Hollywood and Movie-Struck Girls

    "Women and New Hollywood provides the much-needed and long-awaited intervention on 1970s American movie industry mythologies, paying tribute to those whose talents, contributions, and perseverance were until now un(der)appreciated and, in so doing, modeling feminist media historiography at its finest."
    — Maria San Filippo, author of Provocauteurs and Provocations: Screening Sex in 21st Century Media

    "This ambitious and impressive edited collection, with contributions from some of the field's most exciting scholars, is a much-needed feminist intervention into scholarship around the so-called 1970s Hollywood Renaissance. The essays place the women creators and collaborators—and vitally, their labor—back to the center of discussion where they belong. A stimulating and provocative read."
    — Julie Turnock, author of The Empire of Effects: Industrial Light and Magic and the Rendering of Realism

    "A major disruption of conventional narratives about New Hollywood in the 1970s, this collection demonstrates how essential women were to all levels of filmmaking and film culture during a period of fundamental transformation and transition."
    — Shelley Stamp, author of Lois Weber in Early Hollywood and Movie-Struck Girls

    "Women and New Hollywood provides the much-needed and long-awaited intervention on 1970s American movie industry mythologies, paying tribute to those whose talents, contributions, and perseverance were until now un(der)appreciated and, in so doing, modeling feminist media historiography at its finest."
    — Maria San Filippo, author of Provocauteurs and Provocations: Screening Sex in 21st Century Media

    The 1970s has often been hailed as a great moment for American film, as a generation of "New Hollywood" directors like Scorsese, Coppola, and Altman offered idiosyncratic visions of what movies could be.  Yet the auteurist discourse hailing these directors as the sole authors of their films has obscured the important creative roles women played in the 1970s American film industry. 
     
    Women and New Hollywood revises our understanding of this important era in American film by examining the contributions that women made not only as directors, but also as screenwriters, editors, actors, producers, and critics. Including essays on film history, film texts, and the decade's film theory and criticism, this collection showcases the rich and varied cinematic products of women's creative labor, as well as the considerable barriers they faced. It considers both women working within and beyond the Hollywood film industry, reconceptualizing New Hollywood by bringing it into dialogue with other American cinemas of the 1970s. By valuing the many forms of creative labor involved in film production, this collection offers exciting alternatives to the auteurist model and new ways of appreciating the themes and aesthetics of 1970s American film. 
     

    Introduction
    AARON HUNTER AND MARTHA SHEARER
    Part I History
    1 The Rothman Renaissance, or the Politics of Archival (Re)Discovery
    ALICIA KOZMA
    2 Watering the Grapevine: Jessie Maple, Self-Narration, and the Trajectory of a Career in Community
    NICHOLAS FORSTER
    3 "It Was a Little Late in the Day for All That Prissy Business": The New Hollywood Career of Jay Presson Allen
    OLIVER GRUNER
    4 "We Knew and She Knew That She Was Barbra": Streisand in the 1970s
    NICHOLAS GODFREY
    5 I Know Why: Maya Angelou and the Promise of 1970s Hollywood
    MAYA MONTAÑEZ SMUKLER
    Part II Text
    6 Women Editors in New Hollywood: Cutting Down on the Raging Bullshit
    KAREN PEARLMAN
    7 Elaine May's Awkward Age
    JAMES MORRISON
    8 "She's a Professional, Now": Girlfriends, Creative Labor, and the Challenge of Feminist Professionalization
    ABIGAIL CHEEVER
    9 A Different Image: Studies in Contrasts by Women Filmmakers of the L.A. Rebellion
    VIRGINIA BONNER
    10 Barbara Loden's Wanda (1970): A Radically Negative Feminist Aesthetic
    ANNA BACKMAN ROGERS
    Part III Theory and Criticism
    11 Genealogies of a Decade: Classifying and Historicizing Women of the New Hollywood
    AMELIE HASTIE
    12 "Women's-Movement Anger": Pauline Kael and New Hollywood
    ADRIAN GARVEY
    13 Feminism, Auteurism, and the 1970s, in Theory
    MARIA PRAMAGGIORE
    Acknowledgments
    Notes on Contributors
    Index
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