Vase Painting, Gender, and Social Identity in Archaic Athens

This study explores the phenomenon of 'spectators' at the sides of Athenian narrative vase paintings.

Mark D. Stansbury-O'Donnell (Author)

9781107662803, Cambridge University Press

Paperback / softback, published 5 May 2013

327 pages, 95 b/w illus. 58 tables
25.3 x 17.7 x 1.5 cm, 0.79 kg

'Stansbury-O'Donnell's investigation is both thorough and carefully presented … His careful methodology is exemplary, and his study shows a way forward for our understanding of the unsung figures in Attic art.' The Journal of Hellenic Studies

Spectators at the sides of narrative vase paintings have long been at the margins of scholarship, but a study of their appearance shows that they provide a model for the ancient viewing experience. They also reflect social and gender roles in archaic Athens. This study explores the phenomenon of spectators through a database built from a census of the Corpus Vasorum Antiquorum, which reveals that the figures flourished in Athenian vase painting during the last two-thirds of the sixth century BCE. Using models developed from psychoanalysis and the theory of the gaze, ritual studies, and gender studies, Stansbury-O'Donnell shows how these 'spectators' emerge as models for social and gender identification in the archaic city, encoding in their gestures and behavior archaic attitudes about gender and status.

1. Seeing spectators
2. Defining spectators
3. Vision and the construction of identity
4. Ritual performance, spectators, and identity
5. Men and youths: gender and social identity
6. Women as spectators: gender and social identity.

Subject Areas: Social & cultural history [HBTB], Classical history / classical civilisation [HBLA1], History of art: ancient & classical art,BCE to c 500 CE [ACG], History of art / art & design styles [AC]