Understanding the Leitmotif
From Wagner to Hollywood Film Music

Through analysis, Matthew Bribitzer-Stull explores the legacy of the leitmotif, from Wagner's Ring cycle to present-day Hollywood film music.

Matthew Bribitzer-Stull (Author)

9781107098398, Cambridge University Press

Hardback, published 14 May 2015

356 pages, 3 tables 176 music examples
24.4 x 17 x 2.1 cm, 0.86 kg

'Wagner, the leitmotif, and the cinema have floated near one another for a century now. Bribitizer-Stull has woven them together to fashion the first thoroughly convincing explanation of Wagnerian practice in relation to its heirs in the symphonic underscore of classical and contemporary film.' David P. Neumeyer, University of Texas, Austin

The musical leitmotif, having reached a point of particular forcefulness in the music of Richard Wagner, has remained a popular compositional device up to the present day. In this book, Matthew Bribitzer-Stull explores the background and development of the leitmotif, from Wagner to the Hollywood adaptations of The Lord of The Rings and the Harry Potter series. Analyzing both concert music and film music, Bribitzer-Stull explains what the leitmotif is and establishes it as the union of two aspects: the thematic and the associative. He goes on to show that Wagner's Ring cycle provides a leitmotivic paradigm, a model from which we can learn to better understand the leitmotif across style periods. Arguing for a renewed interest in the artistic merit of the leitmotif, Bribitzer-Stull reveals how uniting meaning, memory, and emotion in music can lead to a richer listening experience and a better understanding of dramatic music's enduring appeal.

1. Introduction: the leitmotif problem
Part I. Musical Themes: 2. Motive, phrase, melody, and theme
3. Thematic development, thematic identity: musical themes and the prototype model
Part II. Musical Association: 4. The phenomenon of musical association
5. Piece specifics, cultural generics, and associative layering
6. From 'Nibelheim' to Hollywood: the associativity of harmonic progression
Part III. Leitmotifs in Context: 7. The paradigm of Wagner's Ring
8. Leitmotif in Western art music outside the Ring
9. The modern-day leitmotif: associative themes in contemporary film music.

Subject Areas: Cultural studies [JFC], Philosophy [HP], Communication studies [GTC], Poetry [DC], Opera [AVGC9], 20th century & contemporary classical music [AVGC6], Music reviews & criticism [AVC], Theory of music & musicology [AVA], Music [AV], Films, cinema [APF]