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    Trauma Culture
    The Politics of Terror and Loss in Media and Literature

    E. Ann Kaplan (Author)

    9780813535913

    Paperback / softback, published 11 July 2005

    208 pages
    22.9 x 15.2 x 1.5 cm, 0.34 kg

    "This book will have significant impact in film and media studies because Kaplan so skillfully 'translates' the most interesting work done in trauma studies and takes it in new and original directions. It is illuminating, lucid, and persuasive."
    - Patrice Petro (author of Aftershocks of the New: Feminism and Film History)
    "This book is an important, compelling, and timely contribution to trauma studies and film and media studies. It is an engaging read-a real page-turner-not only because of its conversational style and beautiful prose but also because it addresses some of the most complex psychological issues facing our culture today."
    - W. Alton Jones (Vanderbilt University)
    "Kaplan offers a rich yet concise discussion of trauma culture from objective and personal perspectives, without sacrificing scholarly rigor. Memory, mourning, testimony, and witnessing are key terms, but the book's special strength is Kaplan's expert discussion of film and the media and the ways in which they position spectators. A first-rate, sophisticated introduction to the field. Highly recommended."
    (Choice)

    It may be said that every trauma is two traumas or ten thousand-depending on the number of people involved. How one experiences and reacts to an event is unique and depends largely on one's direct or indirect positioning, personal psychic history, and individual memories. But equally important to the experience of trauma are the broader political and cultural contexts within which a catastrophe takes place and how it is "managed" by institutional forces, including the media.

    In Trauma Culture, E. Ann Kaplan explores the relationship between the impact of trauma on individuals and on entire cultures and nations. Arguing that humans possess a compelling need to draw meaning from personal experience and to communicate what happens to others, she examines the artistic, literary, and cinematic forms that are often used to bridge the individual and collective experience. A number of case studies, including Sigmund Freud's Moses and Monotheism, Marguerite Duras' La Douleur, Sarah Kofman's Rue Ordener, Rue Labat, Alfred Hitchcock's Spellbound, and Tracey Moffatt's Night Cries, reveal how empathy can be fostered without the sensationalistic element that typifies the media.

    From World War II to 9/11, this passionate study eloquently navigates the contentious debates surrounding trauma theory and persuasively advocates the responsible sharing and translating of catastrophe.

    Introduction : 9/11 and "
    disturbing remains"

    "
    Why trauma now?"
    : Freud and trauma studies
    Memory as testimony in World War II : Freud, Duras, and Kofman
    Melodrama and trauma : displacement in Hitchcock's Spellbound
    Vicarious trauma and "
    empty"
    empathy : media images of Rwanda and the Iraq War
    "
    Translating"
    trauma in postcolonial contexts : indigeneity on film
    The ethics of witnessing : Maya Deren and Tracey Moffatt
    Epilogue : "
    Wounded New York"
    : rebuilding and memorials to 9/11
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