Theatre History Studies 2018, Volume 37

Sara Freeman (Edited by)

9780817371128

Paperback / softback, published 18 December 2018

376 pages, 22 Black & white figures, 5 maps, 4 tables
25 x 15 x 1.5 cm, 0.603 kg

Theatre History Studies (THS) is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-America Theatre Conference.

• Meyerhold and The Revolution: A Reading through Henri Lefebvre’
  s Theories on “
  Everyday Life”
  —
  Stefan Aquilina
• “
  Shuffled Together under the Name of a Farce”
  : Finding Nature in Aphra Behn’
  s The Emperor of the Moon —
  Vivian Appler
• Kate Soffel’
  s Life of Crime: A Gendered Journey from Warden’
  s Wife to Criminal Actress —
  Kristi Good
• Staging Ajax’
  s Suicide: A Historiography —
  Peter A. Campbell
• Rousing Experiences: Theatre, Politics, and Change —
  Brian E. G. Cook
• Until You See the Whites of Their Eyes: Brett Bailey’
  s Exhibit B and the Consequences of Staging the Colonial Gaze —
  Megan Lewis
• Taking the Theatre to the People: Performance Sponsorship and Regulation in Mussolini’
  s Italy —
  Patricia Gaborik
• To Image and to Imagine: Walid Raad, Rabih Mouré
  , and the Arab Spring —
  Ilinca Todorut And Anthony Sorge
• Where Has the Political Theatre in Israel Gone? Rethinking the Concept of Political Theatre Today —
  Shulamith Lev-Aladgem
• “
  Equal Rights By All Means!”
  : Beatrice Forbes-Robertson’
  s 1910 Suffrage Matinee and the Onstage Junction of the US And UK Franchise Movements —
  Christine Woodworth
• “
  Why I Wrote the Phyllis Wheatley Pageant-Play”
  : Mary Church Terrell’
  s Bicentennial Activism —
  Lurana Donnels O’
  Malley
• The Lasting Theatre of Dario Fo and Franca Rame —
  Juliet Guzzetta
• Chavez Ravine: Culture Clash and the Political Project of Rewriting History —
  Ashley E. Lucas
• The Heavy Lifting: Resisting the Obama Presidency’
  s Neoliberalist Conceptions of the American Dream in Kristoffer Diaz’
  s The Elaborate Entrance of Chad Deity —
  Noe Montez