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The Queer Fantasies of the American Family Sitcom

Tison Pugh (Author)

9780813591728

Hardback, published 27 February 2018

258 pages, 34 photographs
22.9 x 15.2 x 2 cm, 0.513 kg

"Enjoyable to read, creative, and well-argued, The Queer Fantasies of the American Family Sitcom reconsiders the political potential of the sitcom in this much-needed addition to the field."
- Becca Cragin (Bowling Green State University) (Chronicle of Higher Education) (New Books Network) (Chronicle of Higher Education)

Winner of the 2019 John Leo and Dana Heller Award for the Best Work in LGBTQ Studies from the PCA

The Queer Fantasies of the American Family Sitcom examines the evasive depictions of sexuality in domestic and family-friendly sitcoms. Tison Pugh charts the history of increasing sexual depiction in this genre while also unpacking how sitcoms use sexuality as a source of power, as a kind of camouflage, and as a foundation for family building. The book examines how queerness, at first latent, became a vibrant yet continually conflicted part of the family-sitcom tradition. 

Taking into account elements such as the casting of child actors, the use of and experimentation with plot traditions, the contradictory interpretive valences of comedy, and the subtle subversions of moral standards by writers and directors, Pugh points out how innocence and sexuality conflict on television. As older sitcoms often sit on a pedestal of nostalgia as representative of the Golden Age of the American Family, television history reveals a deeper, queerer vision of family bonds.  

Download open access ebook here.

Introduction: TV's Three Queer Fantasies
1. The Queer Times of Leave It to Beaver: Beaver's Present, Ward's Past, and June's Future
2. Queer Innocence and Kitsch Nostalgia in The Brady Bunch
3. No Sex Please, We're African American: The Cosby Show's Queer Fear of Black Sexuality
4. Feminism, Homosexuality, and Blue-Collar Perversity in Roseanne
5. Allegory, Queer Authenticity, and Marketing Tween Sexuality in Hannah Montana
6. Conservative Narratology, Queer Politics, and the Humor of Gay Stereotypes in Modern Family
Conclusion: Tolstoy Was Wrong: or, On the Queer Reception of Television's Happy Families

Acknowledgments
List of Television Programs
Notes
Works Cited
Index

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