The Making of Racial Sentiment
Slavery and the Birth of The Frontier Romance

Reveals the influence of the frontier romance of the 1820s on later anti-slavery works such as Uncle Tom's Cabin.

Ezra Tawil (Author)

9780521073042, Cambridge University Press

Paperback / softback, published 4 September 2008

256 pages
22.9 x 15.2 x 1.4 cm, 0.35 kg

'…I thoroughly applaud his broader theoretical claim…' Journal of American Studies

The frontier romance, an enormously popular genre of American fiction born in the 1820s, helped redefine 'race' for an emerging national culture. The novels of James Fenimore Cooper, Lydia Maria Child, Catharine Maria Sedgwick and others described the 'races' in terms of emotional rather than physical characteristics. By doing so they produced the idea of 'racial sentiment': the notion that different races feel different things, and feel things differently. Ezra Tawil argues that the novel of white-Indian conflict provided authors and readers with an apt analogy for the problem of slavery. By uncovering the sentimental aspects of the frontier romance, Tawil redraws the lines of influence between the 'Indian novel' of the 1820s and the sentimental novel of slavery, demonstrating how Harriet Beecher Stowe's Uncle Tom's Cabin ought to be reconsidered in this light. This study reveals how American literature of the 1820s helped form modern ideas about racial differences.

Introduction: toward a literary history of racial sentiment
1. The politics of slavery and the discourse of race, 1787–1840
2. Remaking natural rights: race and slavery in James Fenimore Cooper's early writings
3. Domestic frontier romance, or, how the sentimental heroine became white
4. 'Homely legends': the uses of sentiment in Cooper's Wept of Wish-Ton-Wish
5. Stowe's vanishing Americans: 'Negro' inferiority, captivity, and homecoming in Uncle Tom's Cabin
6. Captain Babo's cabin: racial sentiment and the politics of misreading in Benito Cereno
Index.

Subject Areas: Literary studies: general [DSB]