The Invention of Evening
Perception and Time in Romantic Poetry

An exploration of the tradition of evening poetry that flourished with Coleridge, Shelley and Keats.

Christopher R. Miller (Author)

9780521123495, Cambridge University Press

Paperback, published 19 November 2009

280 pages
22.9 x 15.2 x 1.6 cm, 0.42 kg

'Miller's study is highly welcome … it should be given to students as a model for intense and theory-informed concentration on what is really worth reading …' Anglia Newspaper for English Philology

Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express.

Preface
1. The pre-history of Romantic time
2. Coleridge's lyric 'moment'
3. Wordsworth's evening voluntaries
4. Shelley's 'woven hymns of night and day'
5. Keats and the 'Luxury of Twilight'
6. Later inventions.

Subject Areas: Art & design styles: Romanticism [ACVC]