The Globalization of Theatre 1870–1930
The Theatrical Networks of Maurice E. Bandmann

Explores the fascinating career of Maurice E. Bandmann and his global theatrical circuit in the early twentieth century.

Christopher B. Balme (Author)

9781108738200, Cambridge University Press

Paperback / softback, published 30 September 2021

290 pages, 40 b/w illus. 7 tables
22.9 x 15.1 x 1.4 cm, 0.432 kg

'This ground-breaking study provides new insights into theatrical touring in an age of globalization, particularly across the Asian continent, and the networks that made it possible. Focussing on the circuit developed by Maurice E. Bandmann in the late-nineteenth and early-twentieth century, it charts the impact of economics and politics on touring theatre and its structures, while also investigating managerial practices, performer and spectator experience, and the types of repertoire presented. Balme's informative and carefully researched book is an important addition to our understanding of transnational theatre practices and networks in a period of significant change and increasing internationalisation.' Jim Davis, University of Warwick

Between 1895 and 1922 the Anglo-American actor and manager, Maurice E. Bandmann (1872–1922) created a theatrical circuit that extended from Gibraltar to Tokyo and included regular tours to the West Indies and South America. With headquarters in Calcutta and Cairo and companies listed on the Indian stock exchange, his operations represent a significant shift towards the globalization of theatre. This study focuses on seven key areas: family networks; the business of theatrical touring; the politics of locality; repertoire and publics; an ethnography of itinerant acting; legal disputes and the provision of theatrical infrastructure. It draws on global and transnational history, network theory and analysis as well as in-depth archival research to provide a new approach to studying theatre in the age of empire.

Introduction
1. Family networks
2. Mobile enterprises
3. The micropolitics of locality
4. Repertoires and publics
5. Transported actors
6. Contested contracts
7. Infrastructure: from theatre to cinema
8. Legacies.

Subject Areas: Literary studies: plays & playwrights [DSG], Musicals [AVGM], Theatre direction & production [ANF], Theatre: individual actors & directors [ANB]