The Exquisite Corpse of Asian America
Biopolitics, Biosociality, and Posthuman Ecologies

Rachel C. Lee (Author)

9781479809783

Paperback / softback, published 5 December 2014

336 pages, 24 black and white illustrations
22.9 x 15.2 x 1.8 cm, 0.567 kg

"Lee convincingly shows that Asian Americanist critique in science and technology studies and analytic that takes seriously the biological in critical race and ethnic studies is not far-fetched." (Catalyst) "[T]he study is provocative and evocative, raising such issues and questions as why Asian American artists (in fiction, theater, poetry, and comedy) are so preoccupied with fragments of 'self.'" (Choice) "Lees propositional and performative writing style will prod readers in (Asian) American studies, performative studies, and critical race theory to reexamine their scholarly assumptions..." (Theatre Journal) "Ambitious, original, and immensely generative,The Exquisite Corpse of Asian America challenges us to move outside the paradigms of the racialized body weve relied on in Asian American studies.Lee pushes our thinking in productive new ways to consider more broadly how critical race studies might incorporate new concepts and technologies related to the biological body." - Josephine Lee,author of Performing Asian America: Race and Ethnicity on the Contemporary Stage "Rachel Lees stunning new book explores contemporary Asian American performance, comedy, written word, and a body exhibit that concern racialized, gendered, militarized body parts. Drawing upon Science and Technology Studies and Asian American Studies, with the aid of transnational femiqueer, critical race, and disability studies, Lee eviscerates what we thought we knew about biopolitics and biosociality." - Charis Thompson,author of Good Science: The Ethical Choreography of Stem Cell Research

Winner of the 2016 Association for Asian American Studies Award for Best Book in Cultural Studies

The Exquisite Corpse of
Asian America
addresses this central question: if race has been settled as a legal or social
construction and not as biological fact, why do Asian American artists,
authors, and performers continue to scrutinize their body parts? Engaging
novels, poetry, theater, and new media from both the U.S. and
internationally—such as Kazuo Ishiguro's science fiction novel Never Let Me
Go or Ruth Ozeki's My Year of Meats and exhibits like that of Body
Worlds in which many of the bodies on display originated from Chinese prisons—Rachel
C. Lee teases out the preoccupation with human fragments and posthuman
ecologies in the context of Asian American cultural production and theory. She
unpacks how the designation of "Asian American" itself is a mental construct
that is paradoxically linked to the biological body.


Through chapters that each use a body part as springboard for
reading Asian American texts, Lee inaugurates a new avenue of research on
biosociality and biopolitics within Asian American criticism, focused on the
literary and cultural understandings of pastoral governmentality, the divergent
scales of embodiment, and the queer (cross)species being of racial subjects.
She establishes an intellectual alliance and methodological synergy between
Asian American studies and Science and Technology Studies (STS), biocultures,
medical humanities, and femiqueer approaches to family formation, carework,
affect, and ethics. In pursuing an Asian Americanist critique concerned with
speculative and real changes to human biologies, she both produces innovation
within the field and demonstrates the urgency of that critique to other
disciplines.