The Death of the Baroque and the Rhetoric of Good Taste

This book describes the waning days of the baroque.

Vernon Minor (Author)

9780521843416, Cambridge University Press

Hardback, published 16 January 2005

206 pages
26.1 x 18.5 x 1.8 cm, 0.697 kg

'Vernon Minor's latest book is a fundamental contribution to the history of early modern western art, the history of thought on aesthetics, and art-historical methodology … Minor's art-historical approach is among the most evolved to date in the discipline … a major achievement.' Apollo Magazine

In late seventeenth- and early eighteenth-century Rome, a rhetorical war raged among intellectuals in the attack and defense of language, literature, and the visual arts. Death of the Baroque and the Rhetoric of Good Taste examines the cultural upheaval that accompanied attacks on the baroque predilection for ornament, extended visual metaphors, grandiloquence, and mystical rapture. Rome's Academy of the Arcadians emerged as a potent social and cultural force in the final decade of the seventeenth century and throughout the eighteenth century it provided a setting for arguments on artistic taste and reforms in literature and religion. This book describes the waning days of the baroque and ends with an analysis of the Parrhasian Grove, the Arcadian garden on the slopes of Rome's Janiculum Hill.

1. Cattivo Gusto and some aspects of Baroque rhetoric
2. Buon Gusto
3. Arcadia, Pastoralism, and good taste
4. What is Arcadian architecture?
5. A short history of the Academy of the Arcadians
6. Parrhasian Grove.

Subject Areas: History of art & design styles: c 1600 to c 1800 [ACQ]