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The Corporeal Imagination
Signifying the Holy in Late Ancient Christianity
Patricia Cox Miller (Author)
9780812223552
Paperback / softback, published 5 January 2016
272 pages, 13 illus.
22.9 x 15.2 x 1.9 cm, 0.648 kg
"The Corporeal Imagination is a thoughtful, sophisticated, and fascinating book. It is important and delightful reading, a skillful interpretation that makes vivid a central problematic on which Christian belief and practice depend, namely, the simultaneous establishment of the nonnegotiable difference of matter and the holy and the perennial urge to bring them as close together as possible, yet without collapsing one into the other."-Journal of Religion "[Cox Miller's] probings are meticulous, provocative, and incisive. To read this book is to have one's own viewing turned inside out."-Theological Studies "A highly original contribution to the history of Christianity as well as to the study of religion. Eloquent and learned, this book offers many new insights and models for reflection. The Corporeal Imagination will appeal to scholars of religion, theologians, historians of late antiquity, and historians of art."-J. Rebecca Lyman, Professor Emerita, Church Divinity School of the Pacific
With few exceptions, the scholarship on religion in late antiquity has emphasized its tendencies toward transcendence, abstraction, and spirit at the expense of matter. In The Corporeal Imagination, Patricia Cox Miller argues instead that ancient Christianity took a material turn between the fourth and seventh centuries. During this period, Miller contends, there occurred a major shift in the ways in which the human being was oriented in relation to the divine, a shift that reconfigured the relationship between materiality and meaning in a positive direction. The Corporeal Imagination is a groundbreaking investigation into the theological poetics of material substance in late ancient Christian texts. From hagiographies to literary descriptions of sacred paintings to treatises on relics and theurgy, Miller examines a wide variety of ancient texts to reveal how Christian writers increasingly described the matter of the world as invested with divine power. By appealing to the reader's sensory imagination, Christian texts endowed phenomena like relics, saints' bodies in hagiography, and saints' presence in icons with a visual and tactile presence. The book draws on a variety of contemporary theoretical models to elucidate the significance of all these materials in ancient religious life and imagination.
Introduction List of Abbreviations
Chapter One: Bodies and Selves
Chapter Two: Bodies in Fragments
Chapter Three: Dazzling Bodies
Chapter Four: Bodies and Spectacles
Chapter Five: Ambiguous Bodies
Chapter Six: Subtle Bodies
Chapter Seven: Animated Bodies and Icons
Chapter Eight: Saintly Bodies as Image-Flesh
Chapter Nine: Incongruous Bodies
Conclusion
Notes
Bibliography
Index
Acknowledgments