The Cambridge Companion to the Concerto

A rare volume dedicated entirely to scholarship on the genre of the concerto.

Simon P. Keefe (Edited by)

9780521542579, Cambridge University Press

Paperback, published 27 October 2005

338 pages, 37 music examples
24.7 x 17.4 x 1.8 cm, 0.6 kg

“At the heart of this volume, one senses a kind of missionary zeal, a concerted effort (no pun intended) to take this particular genre out of academic limbo. Though perhaps the most popular musical form among great masses of music lovers, the concerto has often been dismissed by scholars as trivial, overly theatrical, ego driven, physical rather than intellectual. In this well-edited volume, Keefe provides a thorough, comprehensive antidote to such misconceptions. The volume explores every aspect of concerto history and literature, offering social and political contexts, stylistic comparisons, and a survey of major works (including structural analysis). The level of scholarship is high and perceptive comments abound. Highly recommended.”
Choice

No musical genre has had a more chequered critical history than the concerto and yet simultaneously retained as consistently prominent a place in the affections of the concert-going public. This volume, one of very few to deal with the genre in its entirety, assumes a broad remit, setting the concerto in its musical and non-musical contexts, examining the concertos that have made important contributions to musical culture, and looking at performance-related topics. A picture emerges of a genre in a continual state of change, re-inventing itself in the process of growth and development and regularly challenging its performers and listeners to broaden the horizons of their musical experience.

Notes on the contributors
Acknowledgements
List of abbreviations
The concerto: a chronology Simon P. Keefe
Introduction Simon P. Keefe
Part I. Contexts: 1. Theories of the concerto from the eighteenth century to the present day Simon P. Keefe
2. The concerto and society Tia DeNora
Part II. The Works: 3. The Italian concerto in the late seventeenth and early eighteenth centuries Michael Talbot
4. The concerto in northern Europe to c. 1770 David Yearsley
5. The concerto from Mozart to Beethoven: aesthetic and stylistic perspectives Simon P. Keefe
6. The nineteenth-century piano concerto Stephan D. Lindeman
7. Nineteenth-century concertos for strings and winds R. Larry Todd
8. Contrasts and common concerns in the concerto 1900-1945 David E. Schneider
9. The concerto since 1945 Arnold Whittall
Part III. Performance: 10. The rise (and fall) of the concerto virtuoso in the late eighteenth and nineteenth centuries Cliff Eisen
11. Performance practice in the eighteenth-century concerto Robin Stowell
12. Performance practice in the nineteenth-century concerto David Rowland
13. The concerto in the age of recording Timothy Day
Notes
Selected further reading
Index.

Subject Areas: Music [AV]