The British Documentary Film Movement, 1926–1946

Paul Swann's study is a political and social history of the documentary film movement led by John Grierson in the 1930s and 1940s.

Paul Swann (Author)

9780521334792, Cambridge University Press

Hardback, published 28 July 1989

228 pages, 29 b/w illus.
22.9 x 15.2 x 1.7 cm, 0.51 kg

"Swann has written a readable, concise, and well-researched history of the organizational side of the British documentary film movement...this intelligent and often critical analysis suggests the thesis that the British documentary film movement may have been overestimated in the past in regard to both its impact and its contribution to the art of film making." Tim Travers, American Historical Review

The most important and internationally influential development in British cinema was the documentary film movement led by John Grierson in the 1930s and 1940s. Paul Swann's study is a political and social history of this movement, which was characterized by actuality-based films made outside the commercial industry. Based upon examinations of official government records, this book provides a fascinating picture of how Grierson manipulated the civil service bureaucracy both for his own ends and, in his view, for the good of his country. The documentary movement was both a socially conscious group intent upon raising the consciousness - and consciences - of viewers, and something like a film school, providing opportunities to fledgling film-makers. Working in reaction to the escapist Hollywood films that then dominated British screens, the documentary film-makers drew upon traditions such as Soviet realism and the European avant-garde and used ordinary men and women instead of actors.

Preface
Acknowledgments
1. Introduction: the British documentary film movement
2. The empire marketing board film unit, 1926–1933
3. The general post office film unit, 1933–1937
4. The general post office film unit, 1937–1940
5. The 'independent' documentary film, 1932–1939
6. The British documentary film, trade propaganda, and national projection, 1926–1939
7. The documentary movement during the war, 1939–1945
8. Conclusion
Appendix
Notes
Bibliography
Index.

Subject Areas: Films, cinema [APF]