The Best Are Leaving
Emigration and Post-War Irish Culture

Clair Wills's The Best Are Leaving is a study of representations of Irish emigrant culture and of Irish immigrants in Britain.

Clair Wills (Author)

9781107048409, Cambridge University Press

Hardback, published 9 February 2015

218 pages, 8 b/w illus.
23.7 x 15.9 x 1.8 cm, 0.46 kg

'[This] book … brings to the forefront an often overlooked era in twentieth-century Irish culture … [the author shows us] that this period of departure and radical social change deserves the same rigorous engagement that so frequently attends to global political concerns and earlier twentieth-century periods in Ireland … Wills' focus brings insight and originality born from top-notch research throughout the book.' Maria McGarrity, Irish Literary Supplement

Clair Wills's The Best Are Leaving is an important and wide-ranging study of post-war Irish emigrant culture. Wills analyses representations of emigrants from Ireland and of Irish immigrants in Britain across a range of discourses, including official documents, sociological texts, clerical literature, journalism, drama, literary fiction, and popular literature and film. This book, written by a leading critic of Irish literature and culture, discusses topics such as the loss of the finest people from rural Ireland and the destruction of traditional communities; the anxieties of women emigrants and their desire for the benefits of modern consumer society; the stereotype of the drunken Irishman; the charming and authentic country Irish in the city; and the ambiguous meanings of Irish Catholicism in England, which was viewed as both a threatening and civilising force. Wills explores this theme of emigration through writers as diverse as M. J. Molloy, John B. Keane, Tom Murphy, and Edna O'Brien.

1. The best are leaving: fitness, marriage, and the crisis of the national family
2. Pink witch: women, modernity, and urbanisation
3. British paddies: realism and the Irish immigrant
4. The vanishing Irish: assimilation, ethnicisation, and literary caricature
5. Clay is the flesh: looking at manual labour.

Subject Areas: Literature: history & criticism [DS]