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The Art of Subtraction
Digital Adaptation and the Object Image

Bruno Lessard (Author)

9781442631915

Hardback, published 2 May 2017

248 pages, 2 figures
22.9 x 15.2 x 2.5 cm, 0.52 kg

The Art of Subtraction is the first full-length study on the CD-ROM as a creative platform. Bruno Lessard traces the rise and relatively rapid fall of the CD-ROM in the 1980s and 1990s and its impact as a creative platform for media artists such as Jean-Louis Boissier, Zoe Beloff, Adriene Jenik, and Chris Marker. Although the CD-ROM was not a lasting commercial success it was a vibrant medium that allowed for experimentation in adapting literary works. Building on the work of Gilles Deleuze and Michele Foucault, Lessard establishes a comparative framework for linking digital adaptations with innovative concepts such as 'subtractive adaptation' and the 'object image' that will be of interest to researchers examining literary adaptations on other digital platforms such as websites, smart phones, tablets, and digital games. The Art of Subtraction is a fascinating study of intermediality in the late twentieth century and it provides the first chapter in the yet unwritten history of digital adaptation.

Dedication

Acknowledgements

Introduction

Chapter 1: Back to the Future: The Rise of CD-ROM

Chapter 2: In the Realm of Digital Heterotopias: Exploring CD-ROM Space

Chapter 3: A Sensuous Gaze: Interactive Chronophotography and Relation-Images

Chapter 4: A Cinema of One’s Own: The Mediumistic Performance of the Female

Body

Chapter 5: Spaces of Desire: Mapping and Translating Lesbian Reality

Chapter 6: In Search of Lost Space: Photographic Memories and the Digital

Punctum

Conclusion

Endnotes

Bibliography

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