The Architecture in Giotto's Paintings

Benelli shows how Giotto's images of buildings and well-known monuments play an important role in the meaning of his works.

Francesco Benelli (Author)

9781107016323, Cambridge University Press

Hardback, published 12 December 2011

300 pages, 108 b/w illus. 10 colour illus.
26 x 18.5 x 1.8 cm, 0.79 kg

'Benelli argues well …' The Art Newspaper

This book offers an analysis of Giotto's painted architecture, focusing on issues of structural logic, clarity of composition, and its role within the narrative of the painting. Giotto was the first artist since antiquity to feature highly-detailed architecture in a primary role in his paintings. Francesco Benelli demonstrates how architecture was used to create pictorial space, one of Giotto's key inventions. He argues that Giotto's innovation was driven by a new attention to classical sources, including low reliefs, mosaics, mural paintings, coins, and Roman ruins. The book shows how Giotto's images of fictive buildings, as well as portraits of well-known monuments, both ancient and contemporary, play an important role in the overall narrative, iconography, and meaning of his works. The conventions established by Giotto remained at the heart of early modern Italian painting until the sixteenth century.

Introduction
1. The cycle of the Legend of San Francis in the upper church of Assisi
2. The Enrico Scrovegni chapel in Padua
3. The Peruzzi and Bardi chapels in the church of Santa Croce in Florence
4. The lower church of Assisi
5. Giotto's influence in the lower church of Assisi and the church of Santa Croce in Florence
6. Excursus
Conclusion.

Subject Areas: Early history: c 500 to c 1450/1500 [HBLC], Individual artists, art monographs [AGB], Painting & paintings [AFC], History of art: Byzantine & Medieval art c 500 CE to c 1400 [ACK]