The Aesthetics of Emulation in the Visual Arts of Ancient Rome

Originally published in 2005, this book examines Roman strategies for the appropriation of the Greek visual culture.

Ellen Perry (Author)

9780521831659, Cambridge University Press

Hardback, published 10 January 2005

226 pages
22.9 x 15.2 x 1.4 cm, 0.47 kg

"Perry's book offers an extensive critique of previous scholarship and a thoroughgoing investigation of the implications of more modern approaches. In so doing, Perry's book challenges art historians on both sides of the issue to re-examine their beliefs, and it should stimulate further, more nuanced consideration of this important topic." CAA Review Rachel Kousser

Originally published in 2005, this book examines Roman strategies for the appropriation of the Greek visual culture and argues that the scholarship on this topic, dominated by copy criticism (Kopienkritik), has not appreciated Roman values in the visual arts. Ellen Perry analyzes the Roman aesthetics that lie at the core of the visual conservatism - and innovation - in the art of that civilization. These attitudes help to explain the preponderance of copies, exact or free, after the sculpture of great Greek masters in Roman art. A knowledge of Roman values, Perry demonstrates, explains the entire range of visual appropriation in Roman art, which includes not only the phenomenon of copying, but also such manifestations as allusion, parody, and most importantly aemulatio, successful rivalry with one's models.

Introduction: a critical time in the study of Roman artistic imitation
1. Decorum and tradition: the beginnings of a theoretical apparatus
2. Decorum and patron: the functions of art
3. The marginalization of innovation: Kopienkritik and the construct of the free copy
4. The strategy of eclecticism
5. Phantasia: the artist's vision as model.

Subject Areas: History of art: ancient & classical art,BCE to c 500 CE [ACG]