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Staging Harmony
Music and Religious Change in Late Medieval and Early Modern English Drama
Katherine Steele Brokaw (Author)
9781501703140
Hardback, published 18 July 2016
292 pages
22.9 x 15.2 x 2.7 cm, 0.907 kg
[Staging Harmony]... is an engaging and historically well-informed work that explores the complex relationship of music and drama over the long sixteenth century, filling in the gaps that result from focusing too narrowly on the Elizabethan commercial theater to the exclusion of early Tudor interludes, Reformist morality plays, schoolboy dramas, and court and household entertainments. Staging Harmony offers a sophisticated account of theatrical engagement with music over a key period of dramatic production, a subtle description of early modern religious cultures, and a rich theorization of music's role in embodied belief.
In Staging Harmony, Katherine Steele Brokaw reveals how the relationship between drama, music, and religious change across England's long sixteenth century moved religious discourse to more moderate positions. It did so by reproducing the complex personal attachments, nostalgic overtones, and bodily effects that allow performed music to evoke the feeling, if not always the reality, of social harmony. Brokaw demonstrates how theatrical music from the late fifteenth to the early seventeenth centuries contributed to contemporary discourses on the power and morality of music and its proper role in religious life, shaping the changes made to church music as well as people's reception of those changes. In representing social, affective, and religious life in all its intricacy, and in unifying auditors in shared acoustic experiences, staged musical moments suggested the value of complexity, resolution, and compromise rather than oversimplified, absolutist binaries worth killing or dying for. The theater represented the music of the church's present and past. By bringing medieval and early Tudor drama into conversation with Elizabethan and Jacobean drama, Brokaw uncovers connections and continuities across diverse dramatic forms and demonstrates the staying power of musical performance traditions. In analyzing musical practices and discourses, theological debates, devotional practices, and early staging conditions, Brokaw offers new readings of well-known plays (Marlowe's Doctor Faustus, Shakespeare's The Tempest and The Winter's Tale) as well as Tudor dramas by playwrights including John Bale, Nicholas Udall, and William Wager.
Introduction: Theater, Music, and Religion in the Long Sixteenth Century
1. Sacred, Sensual, and Social Music: Wisdom and the Digby Mary Magdalene
2. Musical Hypocrisy: The Plays of John Bale
3. Learning to Sing: The Plays of Nicholas Udall
4. Propaganda and Psalms: Early Elizabethan Drama
5. Sound Effects: Doctor Faustus
6. Arts to Enchant: The Tempest and The Winter's Tale