Shakespeare Survey: Volume 67, Shakespeare's Collaborative Work

The theme for Shakespeare Survey 67 is 'Shakespeare's Collaborative Work'.

Peter Holland (Edited by)

9781107417168, Cambridge University Press

Paperback / softback, published 1 April 2021

526 pages, 43 b/w illus.
24.6 x 18.8 x 2.6 cm, 0.99 kg

Shakespeare Survey is a yearbook of Shakespeare studies and productions. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 67 is 'Shakespeare's Collaborative Work'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

1. Why did Shakespeare collaborate? Gary Taylor
2. What is not collaborative about early modern drama in performance and print? Gabriel Egan
3. Framing Shakespeare's collaborative authorship Will Sharpe
4. Collaboration and proprietary authorship: Shakespeare, et al. Trevor Cook
5. Topical Shakespeare Barry Langston
6. Shakespeare after all?: the authorship of Titus Andronicus 4.1 reconsidered William Weber
7. A Shakespeare/North collaboration: Titus Andronicus and Titus and Vespasian Dennis McCarthy and June Schlueter
8. The two authors of Edward III Brian Vickers
9. Shakespeare, poetic collaboration, and The Passionate Pilgrim Francis Connor
10. Contextualizing 'The Phoenix and Turtle': Shakespeare, Edward Blount, and the poetical essays group of Love's Martyr James P. Bednarz
11. Shakespeare's singularity and Sir Thomas More James Purkis
12. Double Falsehood: the forgery hypothesis, the 'Charles Dickson' enigma and a 'stern' rejoinder Brean Hammond
13. Nostalgic spectacle and the politics of memory in Henry VIII Isabel Karremann
14. Royal entries and the form of pageantry in All Is True Roderick McKeown
15. Acting historical with Shakespeare, or, William-Henry Ireland's Oaken Chest Ellen MacKay
16. Re-cognizing Shakespearean tragedy Arthur Kinney
17. Shakespeare's literature of exhaustion Stephan Laqué
18. Big-shouldered Shakespeare: three Shrews at Chicago Shakespeare Theater L. Monique Pittman
19. Why Ganymede faints and the Duke of York weeps: passion plays in Shakespeare Sujata Iyengar
20. The National Theatre of Greece's The Merchant of Venice (1945) and the silencing of the Holocaust Tina Krontiris
21. Cinnas of memory Julia Griffin
22. The measure of sexual memory Stephen Spiess
23. Othello across borders: on an interlocal and intermedial exercise Rui Carvalho Homem
24. John Berryman's emendation of King Lear 4.1.10 and Shakespeare's scientific knowledge B. J. Sokol
25. Spectacle, representation, and lineage in Macbeth 4.1 William C. Carroll
26. 'Pleasing strains': the dramaturgical role of music in The Winter's Tale Simon Smith
27. Confinement and freedom in The Tempest Leslie Thomson
28. Shakespeare performances in England 2013 Carol Chillington Rutter
29. Professional Shakespeare productions in the British Isles, January–December 2012 James Shaw
The year's contribution to Shakespeare studies: 1. Critical studies Charlotte Scott
2. Shakespeare in performance Russell Jackson
3. Editions and textual studies Sonia Massai.

Subject Areas: Shakespeare studies & criticism [DSGS], Literary studies: c 1500 to c 1800 [DSBD], Shakespeare plays [DDS], Theatre studies [AN]