Shakespeare Survey 71: Volume 71
Re-Creating Shakespeare

The 71st in the annual series of volumes devoted to Shakespeare study and production. The theme is 'Re-Creating Shakespeare'.

Peter Holland (Edited by)

9781108470834, Cambridge University Press

Hardback, published 4 October 2018

438 pages, 65 b/w illus. 4 tables
25.3 x 19.4 x 3 cm, 1.01 kg

The 71st in the annual series of volumes devoted to Shakespeare study and production. The articles, like those of volume 70, are drawn from the World Shakespeare Congress, held 400 years after Shakespeare's death, in July/August 2016 in Stratford-upon-Avon and London. The theme is 'Re-Creating Shakespeare'.

List of Illustrations
Part I. Shakespeare in Performance – Africa and Asia: 1. Shakespeare's transcolonial solidarities in the global south Sandra Young
2. Shakespeare's creolised voices Ashish Beesoondial
3. 'Accents yet unknown': Haider and Hamlet in Kashmir Pompa Banerjee
4. The forests of silence: global Shakespeare in the Philippines, the Philippines in global Shakespeare Judy Celine Ick
5. Arab Shakespeares at the World Shakespeare Congress Katherine Hennessey and Margaret Litvin
6. The dual tradition of bardolatry in China Hao Liu
7. A catalyst for theatrical reinvention: contemporary travelling companies at the Tokyo Globe Theatre Michiko Suematsu
Part II. Shakespeare in Performance – The Americas: 8. 'Both alike in dignity': Havana and Mexico City Play Romeo and Juliet Alfredo Michel Modenessi
9. Cuban improvisations: reverse colonization via Shakespeare Donna Woodford-Gormley
10. Mixing memory with desire: staging Hamlet Q1 Andrew James Hartley
11. Shakespeare, race, and 'other' Englishes: the Q Brothers' Othello: the remix Carla Della Gatta
Part III. Shakespeare in Performance – Europe: 12. 'Mingled yarn': The Merchant of Venice East of Berlin and the legacy of 'Eastern Europe' Boika Sokolova
13. Ariel's groans, or, performing protean gender on the Bulgarian post-communist stage Kirilka Stavreva
14. Dressing the history 'boys': Harry's masks, Falstaff's underpants Carol Chillington Rutter
15. Shopping for the archives: fashioning a costume collection Kate Dorney
16. Pastiche or archetype? The Sam Wanamaker Playhouse and the project of theatrical reconstruction Holger Schott Syme
17. Evolutionary naturalism and ecology in Shakespearian performance (with scene from King John) Randall Martin
Part IV. Shakespeare and Other Art Forms: 18. Of dance and disarticulation: Juliet dead and alive Joseph Campana
19. Titania's dream: three choreographic Midsummer Night's Dreams of the twentieth century Iris Julia Bührle
20. Shakespeare on screens: close watching, close listening Peter Holland
21. From table books to Tumblr: recollecting the microgenres of the early modern stage in social media Cyrus Mulready
22. Unlearning Shakespeare studies: speculative criticism and the place of fan activism Louise Geddes
23. Titus Andronicus and trapdoors at the Rose and Newington Butts Mark Hutchings
24. Shakespeare's bewitching line Robert Stagg
25. At the sign of the angel: the influence of Andrew Wise on Shakespeare in print Amy Lidster
26. Shakespeare and Hardy: the tragi-comic nexus Thomas McAlindon
27. Queer Iago: a brief history Jonathan Crewe
28. Global Shakespeare and the censor: adaptation, context and Shakespeare Must Die, a Thai film adaptation of Macbeth Mark Thornton Burnett
29. Hathaway farm: commemorating Warwickshire Will between the wars Katherine Scheil
30. Shakespeare performances in England, 2017 Stephen Purcell
31. Professional Shakespeare productions in the British Isles, January-December 2016 James Shaw
32. The year's contribution to Shakespeare studies
1. Critical studies reviewed by Charlotte Scott
2. Shakespeare in performance reviewed by Russell Jackson
3. Editions and textual studies reviewed by Peter Kirwan
Abstracts
Index.

Subject Areas: Literary reference works [DSR], Literary studies: c 1500 to c 1800 [DSBD], Shakespeare plays [DDS]