Shakespeare and the Traditions of Comedy

This book relates Shakespeare's comedies to a broad European background.

Leo Salingar (Author)

9780521291132, Cambridge University Press

Paperback, published 19 August 1976

368 pages
21.7 x 14 x 2.2 cm, 0.49 kg

' … a sound and scholarly treatment of a highly complex and fascinating intellectual heritage … This will no doubt remain for years to come the standard work in its field.' The Virginia Quarterly Review

This book relates Shakespeare's comedies to a broad European background. At the beginning and again at the end of his career, Shakespeare was attracted by a tradition of stage romances which can be traced back to Chaucer's time. But the main shaping behind his comedies came from the classical tradition. Mr Salingar therefore examines the underlying theme of 'errors' in Greek and Roman comedies and, taking three Italian comedies famous in the sixteenth century as examples, he then reveals how the Italian Renaissance revived the classical tradition, and what effect this revival had on Shakespeare the Elizabethan playwright and discusses such topics as the device of the play within a play and Shakespeare's choice of Italian short stories as plot material. This book shows how Shakespeare changed the motifs he took over from previous traditions of comedy and highlights the innovations he introduced, as an actor-dramatist writing in the first period of commercial theatre in Europe.

Preface
1. The unfaithful mirror
2. Medical stage romances
3. 'Errors' and deceit in classical comedy
4. Fortune in classical comedy
5. Shakespeare and Italian comedy
6. An Elizabethan playwright
Bibliography
Index of plays
General index.

Subject Areas: Literary studies: general [DSB]