Skip to product information
1 of 1
Regular price £41.28 GBP
Regular price £42.99 GBP Sale price £41.28 GBP
Sale Sold out
Free UK Shipping

Freshly Printed - allow 8 days lead

Shakespeare and the Idea of Late Writing
Authorship in the Proximity of Death

An account of Shakespeare's last plays in relation to the idea of 'late style'.

Gordon McMullan (Author)

9780521158008, Cambridge University Press

Paperback, published 19 August 2010

416 pages
22.9 x 15.2 x 2.4 cm, 0.61 kg

'Inevitably, the book raises many questions, some explicit and others by implication. … the very openness to questioning is one of the book's strengths, alongside its deft handling of an extensive and surprisingly diverse range of ideas, its refusal to follow a single intellectual path, and the skill with which it moves across disciplinary boundaries. It also demonstrates an elegance and modesty too often lacking in many discussions of complicated ideas. All this, and its open-mindedness, make it a very provocative, and a very important, book.' English Studies

What do we mean when we speak of the 'late style' of a given writer, artist or composer? And what exactly do we mean by 'late Shakespeare'? Gordon McMullan argues that, far from being a natural phenomenon common to a handful of geniuses in old age or in proximity to death, late style is in fact a critical construct. Taking Shakespeare as his exemplar, he maps the development of the 'discourse of lateness' from the eighteenth century to the present, noting not only the mismatch between that discourse and the actual conditions for authorship in early modern theatre but also its generativity for subsequent projections of creative selfhood. He thus offers the first critique of the idea of late style, which will be of interest not only to literature specialists but also to art historians, musicologists and anyone curious about the relationship of creativity to old age and to death.

Introduction
1. Shakespeare and the idea of late writing
2. The Shakespearean caesura: genre, chronology, style
3. The invention of late Shakespeare: subjectivism and its discontents
4. Last words / late plays: the possibility and impossibility of late Shakespeare in early modern culture and theatre
5. How old is 'late'?: late Shakespeare, old age, King Lear
6. The Tempest and the uses of late Shakespeare in the theatre: Gielgud, Rylance, Prospero.

Subject Areas: Shakespeare studies & criticism [DSGS], Literary studies: general [DSB]

View full details