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Revolutions in Verse
The Medium of Russian Modernism

Isobel Palmer (Author)

9780810147669

Paperback / softback, published 15 November 2024

232 pages, 8 b&w halftones
22.9 x 15.2 x 1.7 cm, 0.328 kg

"Revolutions in Verse reopens the conversation on the poetry of Russian modernism by productively destabilising the very conditions of its existence: voice, image, and rhythm are now emerging as interactively involved in creating a new materiality of verse that thrives on intermedial experimentation. Palmer's nuanced argument is carefully built; the analysis is attentive to detail, while never losing sight of the bigger picture."—Galin Tihanov, Queen Mary University of London

"What constitutes the medium of language arts? In this masterful study, Palmer reconstructs the debates surrounding the concepts of ‘rhythm,’ ‘image,’ and ‘voice,’ which she rightfully places at the center of competing trends within Russian modernist literary experimentation and formalist poetics."—Ana Hedberg Olenina, Arizona State University

How modernist interartistic experimentation and the proliferation of new media technologies inspired fresh insights into poetry

Isobel Palmer spotlights Russian modernist poets’ and formalist theorists’ conscious engagement with formal convention, showing how their efforts were tied up with broader attempts in the early Soviet era to understand and articulate the nature of poetry and its most characteristic devices. Returning to critical debates around poetic encounters with three key aesthetic categories—rhythm, image, and voice—Palmer unpacks the period’s deeper interest in the material bases of poetic speech itself. Through fresh, incisive readings of canonical poets and theorists, from Andrei Bely and Vladimir Mayakovsky to Yury Tynianov and Viktor Shklovsky, Revolutions in Verse: The Medium of Russian Modernism explores the proliferation of interartistic experiments and the emergence of new media technologies that made poetry visible as a medium in its own right.

Acknowledgments 

Note on the Text
Introduction
Chapter 1. Andrei Bely’
s Science of Verse
Part I. Rhythm
Chapter 2. Yury Tynianov and Rhythm as Remediation
Chapter 3. Alexander Blok and the Rhythms of History
Part II. Image
Chapter 4. Viktor Shklovsky’
s Stone 

Chapter 5. Boris Pasternak’
s Poetic Configurations
Part III. Voice 

Chapter 6. Boris Eikhenbaum, Sergei Bernshtein, and the Melodics of Verse
Chapter 7. The Many Voices of Vladimir Mayakovsky 

Conclusion 

Notes 

Works Cited
Index

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