Rameau and Musical Thought in the Enlightenment

This is the first intellectual biography of the French composer and theorist Jean-Philippe Rameau, the 'Newton of the Arts'.

Thomas Christensen (Author), Ian Bent (Foreword by)

9780521617093, Cambridge University Press

Paperback, published 16 December 2004

348 pages, 34 b/w illus.
24.6 x 18.9 x 1.8 cm, 0.62 kg

This is the first intellectual biography of the French composer and theorist Jean-Philippe Rameau. Rameau synthesised the vocabulary and grammar of musical practice into a concise scientific system, earning himself the popular title of 'Newton of the Arts'. Ranging widely over the musical and intellectual thought of the eighteenth century, Thomas Christensen is able to orient Rameau's accomplishments in the light of speculative and practical considerations of music theory as well as many of the scientific ideas current in the French Enlightenment. He shows how Rameau incorporates ideas ranging from neoplatonic thought and Cartesian mechanistic metaphysics to Locke's empirical psychology and Newtonian experimental science. Additional primary documents help clarify Rameau's fascinating and stormy relationship with the Encyclopedists, Diderot, Rousseau and d'Alembert.

List of illustrations
Foreword by Ian Bent
Acknowledgments
Introduction
1. Rameau and the Enlightenment
2. Rameau as music theorist
3. Precursors of harmonic theory
4. The generative fundamental
5. The fundamental bass
6. The corps sonore
7. Mode and modulation
8. Rameau and the philosophes
9. D'Alembert
10. The final years
Appendices
Select bibliography
Index of subjects
Index of proper names.

Subject Areas: Theory of music & musicology [AVA]