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Prolific Ground
Landscape and British Women's Writing, 1690–1790
Nicolle Jordan (Author)
9781684485406
Hardback, published 15 November 2024
208 pages, 2 color and 4 B-W images
23.5 x 15.6 x 1.8 cm, 0.454 kg
"A dynamic, fresh consideration of texts that pose important questions of gender identity and social status in relation to landscape. Scholars with interests in women's writing, landscape history, and the possibilities afforded by various literary genres will find this book especially valuable." - Melissa Schoenberger (author of Cultivating Peace: The Virgilian Georgic in English, 1650-1750) "A nuanced discussion of fiction, poetry, and correspondence, Prolific Ground persuasively demonstrates how landscape relations shape gender relations. With an utterly original approach, Jordan simultaneously challenges the assumptions about landscape as a male domain and asserts women's role in this narrative. An important and fresh contribution to the field." - Catherine Ingrassia (author of Domestic Captivity and the British Subject, 1660-1750) "Prolific Ground combines sensitive readings of literary and visual culture with fine attention to the social registers of eighteenth-century women's work. An indispensable guide for anyone interested in the history of landscape." - Elizabeth Eger (editor of Bluestockings Displayed: Portraiture, Performance, and Patronage, 1730-1830)
Land ownership-and engagement with land more generally-constituted a crucial dimension of female independence in eighteenth-century Britain. Because political citizenship was restricted to male property owners, women could not wield political power in the way propertied men did. Given its foundational sociopolitical function, land necessarily generated copious writing that vested it with considerable aesthetic and economic value. This book, then, situates these issues in relation to the historical transformation of landscape under emergent capitalism. The women writers featured herein-including Jane Barker, Anne Finch, Sarah Scott, and Elizabeth Montagu-participated in this transformation by celebrating female estate stewardship and evaluating the estate stewardship of men. By asserting their authority in such matters, these writers acquired a degree of independence and self-determination that otherwise proved elusive.
List of Illustrations Introduction: Landscape Studies and British Women’s Literary History 2 Stewarding the Country House: Anne Finch, Countess of Winchilsea 3 “And the Country Adjacent”: Sarah Scott’s Literary Landscaping 4 Elizabeth Montagu, Bluestocking Landscaper Conclusion Acknowledgments Notes Bibliography Index
1 Jane Barker’s Liminal Landscapes