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Pretexts for Writing
German Romantic Prefaces, Literature, and Philosophy

Seán M. Williams (Author)

9781684480531

Hardback, published 1 March 2019

278 pages
22.9 x 15.2 x 1.1 cm, 0.029 kg

"Pretexts for Writing discusses the history of the literary and philosophical self-authored preface in the German speaking world around 1800 with an intensity and analytical depth previously unachieved in scholarship."
— Till Dembeck, University of Luxembourg

"Recommended."
— Choice

"a study of tremendous academic rigor with original insights. it shows deep knowledge of both eighteenth- and nineteenth-century German literature and philosophy and the many conversations in contemporary literary studies pertaining to them.it is an achievement in scholarship pertaining to the age of Goethe, romanticism, and literary studies at large."
— The German Quarterly

"This debut book, in short, contains much that is scintillant and surely announces the arrival of an important new scholarly voice in Germanistik."
— Modern Language Review

"This book is perceptive, timely, and ambitious: perceptive in that it zeroes in on serious gaps in research, the exploration of which may alter our views of eighteenth-century German literature."
— Lessing Yearbook/Jahrbuch XLVIII

"Pretexts for Writing is an insightful, original, and persuasive work—compelling pretexts for reading."
 
— Goethe Yearbook

"Recommended."
— Choice

"This debut book, in short, contains much that is scintillant and surely announces the arrival of an important new scholarly voice in Germanistik."
— Modern Language Review

"Pretexts for Writing discusses the history of the literary and philosophical self-authored preface in the German speaking world around 1800 with an intensity and analytical depth previously unachieved in scholarship."
— Till Dembeck, University of Luxembourg

"a study of tremendous academic rigor with original insights. it shows deep knowledge of both eighteenth- and nineteenth-century German literature and philosophy and the many conversations in contemporary literary studies pertaining to them.it is an achievement in scholarship pertaining to the age of Goethe, romanticism, and literary studies at large."
— The German Quarterly

"This book is perceptive, timely, and ambitious: perceptive in that it zeroes in on serious gaps in research, the exploration of which may alter our views of eighteenth-century German literature."
— Lessing Yearbook/Jahrbuch XLVIII

"Pretexts for Writing is an insightful, original, and persuasive work—compelling pretexts for reading."
 
— Goethe Yearbook

Around 1800, print culture became a particularly rich source for metaphors about thinking as well as writing, nowhere more so than in the German tradition of Dichter und Denker. Goethe, Jean Paul, and Hegel (among many others) used the preface in order to reflect on the problems of writing itself, and its interpretation. If Sterne teaches us that a material book enables mind games as much as it gives expression to them, the Germans made these games more theoretical still. Weaving in authors from Antiquity to Agamben, Williams shows how European–and, above all, German–Romanticism was a watershed in the history of the preface. The playful, paradoxical strategies that Romantic writers invented are later played out in continental philosophy, and in post-Structuralist literature. The preface is a prompt for playful thinking with texts, as much as it is conventionally the prosaic product of such an exercise.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

 

 
 
 
Abbreviations
... v
 
 
 
A Note on Translations
... vi
Introduction: What Prefaces Are Not: Pedantic Notes ... 1
 
 
 
Historical Context and Precedent
 
 
 
Paratextual Theory and Textual Autonomy
 
 
 
Rhetorical Caesura: Comprehending Romanticism
 
 
 
Writing to Write
1 Goethe: A Playful and Resistive Set of Preface Strategies ... 66
 
 
 
Zero Prefaces
 
 
 
Ambiguous Prefaces
 
 
 
Poetic Prefaces
 
 
 
Embedded Prefaces
 
 
 
Belated Prefaces
 
 
 
A Hypertrophic Preface
2 Jean Paul: Autoprefacing ... 144
 
 
 
Baroque Beginnings: The Preface as Brow, Morsel, and Porch
 
 
 
Reviewers and Readers
 
 
 
Writers and Preface-Writers
 
 
 
Prefatory Procrastination and Textual Foreplay
 
 
 
The Logic of Length
Or, Digressive Fragmentation
 
 
 
Countering Captatio Benevolentiae? Beyond Eloquence
 
 
 
Conclusion: Preface to Prefatorial Philosophy (and Theory)
3 Hegel: Prefatorial Polemic Becomes Philosophy ... 237
 
 
 
Starting with Sterne? Literature and Philosophy around 1800
 
 
 
Descriptive Induction versus Performative Prefacing
 
 
 
A New Style of Preface
 
 
 
Sublation of Conventional Prefatory Content
 
 
 
A Superior Preface
 
 
 
Philosophical and Rhetorical Preface Paradigms
 
 
 
Post-Structuralist Postscript
Conclusion... 311
Acknowledgements ... 328
Bibliography ... 330
Index ... 371
About the Author ... 372

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