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Playing the Percentages
How Film Distribution Made the Hollywood Studio System

Derek Long (Author)

9781477328941, University of Texas Press

Hardback, published 16 April 2024

296 pages, 11 b&w photos
22.9 x 15.2 x 3.3 cm, 0.594 kg

An exhaustively researched exploration of Hollywood distribution, and the impact of the studio system.
(The Film Stage)
One of the most valuable aspects of the book is Long's discussion of the impact of vaudeville and legitimate theater entertainment distribution on the fledgling industry...This is an important study for those interested in the history of the motion picture industry.
(CHOICE)
Long makes a compelling case that systems of distribution should be seen as central to the history of the film industry, and of media industries more widely.
(Business History)
A detailed examination of the film industry.
(Journal of Popular Culture)

A history of film distribution in the United States from the 1910s to the 1930s, concentrating on booking, circuiting, and packaging marketing practices.

Told not as a “golden age” narrative of films, stars, or individual studios but as an economic history of the industry’s film distribution practices, Playing the Percentages is the story of how Hollywood’s vertically integrated studio system came to be. Studying the history of distribution during the growth of Hollywood, Derek Long makes a case for the domination of the studio system as the result of struggles over distribution practices.

Through a combination of archival research, critical surveys of the film industry trade press, and economic analysis, Long uncovers a complex and ever-shifting system of wrangling between distributors and exhibitors. Challenging the overemphasis within scholarship on “block booking” as a monolithic distribution mode, and attending to distribution practices beyond simple circulation, Long highlights the crucial changes in film distribution brought about by live theater, the rise of features, and the transition to sound. Playing the Percentages is a comprehensive history of film distribution in the United States during the silent era that illustrates the importance of power struggles between distributors and exhibitors over booking, pricing, and playing time.

  • List of Illustrations
  • Introduction
  • Chapter 1. Precursors-The Circuits of Show Business: Vaudeville, Legitimate Theater, and the Origins of American Entertainment Distribution, 1800–
    1920
  • Chapter 2. The Package, Part I-Programming the Studio System: Packaging in Film Distribution, 1896–
    1917
  • Chapter 3. The Package, Part II-Reprogramming the Studio System: The Rise of Open Booking, 1916–
    1922
  • Chapter 4. Space-From Franchising to Merchandising: Marketing Films Locally and Nationally, 1914–
    1923
  • Chapter 5. Time-The Battle for Playdates: Temporally Controlling the Distribution Business, 1921–
    1925
  • Chapter 6. Pricing-What Price Sound? Selling the Percentage Contract, 1919–
    1930
  • Epilogue
  • Acknowledgments
  • Glossary of Distribution Terms
  • Notes
  • Bibliography
  • Index

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