Skip to product information
1 of 1
Regular price £77.59 GBP
Regular price £84.00 GBP Sale price £77.59 GBP
Sale Sold out
Free UK Shipping

Freshly Printed - allow 8 days lead

Picturing Reform in Victorian Britain

An innovative exploration of Victorian art and politics that examines how paintings and newspaper illustrations visualized franchise reform.

Janice Carlisle (Author)

9780521868365, Cambridge University Press

Hardback, published 31 May 2012

290 pages, 34 b/w illus.
25.3 x 18.1 x 2 cm, 0.75 kg

'Skilfully juxtaposing a wide range of sources, from frescoes to wood engravings, Janice Carlisle in her latest book demonstrates why and how Victorian visual culture could do 'political work'. [Her] close scrutiny of both images and texts allows her to trace surprising links between media … Carlisle has spent many hours poring over the sources she discusses; her readings of them are rich and unexpected.' Jo Briggs, Victorian Studies

How did Victorians, as creators and viewers of images, visualize the politics of franchise reform? This study of Victorian art and parliamentary politics, specifically in the 1840s and 1860s, answers that question by viewing the First and Second Reform Acts from the perspectives offered by Ruskin's political theories of art and Bagehot's visual theory of politics. Combining subjects and approaches characteristic of art history, political history, literary criticism and cultural critique, Picturing Reform in Victorian Britain treats both paintings and wood engravings, particularly those published in Punch and the Illustrated London News. Carlisle analyzes unlikely pairings - a novel by Trollope and a painting by Hayter, an engraving after Leech and a high-society portrait by Landseer - to argue that such conjunctions marked both everyday life in Victorian Britain and the nature of its visual politics as it was manifested in the myriad heterogeneous and often incongruous images of illustrated journalism.

Introduction
1. Art as politics: lines in theory and practice
2. Pictures on display
3. Redrawing the franchise in the 1860s: lines around the Constitution
4. Within the pale
Conclusion.

Subject Areas: Early modern history: c 1450/1500 to c 1700 [HBLH], Literary studies: c 1800 to c 1900 [DSBF]

View full details