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    Photography and the Optical Unconscious

    Shawn Michelle Smith (Edited by), Sharon Sliwinski (Edited by)

    9780822363811

    Hardback, published 26 May 2017

    392 pages, 116 illustrations, incl. 20 in
    22.9 x 15.2 x 2.9 cm, 0.703 kg

    "A diverse collection of essays and artists’ portfolios. . . . Overall, Photography and the Optical Unconscious is a compelling read, one that points to the significant amount of work remaining to be done with regards to the optical unconscious."
    - Shandell Houslden (TOPIA)

    Photography is one of the principal filters through which we engage the world. The contributors to this volume focus on Walter Benjamin's concept of the optical unconscious to investigate how photography has shaped history, modernity, perception, lived experience, politics, race, and human agency. In essays that range from examinations of Benjamin's and Sigmund Freud's writings to the work of Kara Walker and Roland Barthes's famous Winter Garden photograph, the contributors explore what photography can teach us about the nature of the unconscious. They attend to side perceptions, develop latent images, discover things hidden in plain sight, focus on the disavowed, and perceive the slow. Of particular note are the ways race and colonialism have informed photography from its beginning. The volume also contains photographic portfolios by Zoe Leonard, Kelly Wood, and Kristan Horton, whose work speaks to the optical unconscious while demonstrating how photographs communicate on their own terms. The essays and portfolios in Photography and the Optical Unconscious create a collective and sustained assessment of Benjamin's influential concept, opening up new avenues for thinking about photography and the human psyche.

    Contributors. Mary Bergstein, Jonathan Fardy, Kristan Horton, Terri Kapsalis, Sarah Kofman, Elisabeth Lebovici, Zoe Leonard, Gabrielle Moser, Mignon Nixon, Thy Phu, Mark Reinhardt, Shawn Michelle Smith, Sharon Sliwinski, Laura Wexler, Kelly Wood, AndrÉs Mario ZervigÓn

    Acknowledgments  vii
    Introduction / Shawn Michelle Smith and Sharon Sliwinski  1
    1. Photography's Weimar-Era Proliferatino and Walter Benjamin's Optical Unconscious / AndrÉ
    s Mario ZervigÓ
    n  32
    2. "
    A Hiding Place in Waking Dreams"
    : David Octavius Hill, Robert Adamson, and Walter Benjamin's "
    Little History of Photography"
    / Shawn Michelle Smith  48
    3. Freud: The Photographic Apparatus / Sarah Kofman  75
    4. "
    To Adopt"
    : Freud, Photography, and the Optical Unconscious / Jonathan Fardy  81
    5. The Politics of Contemplation / Zoe Leonard and Elisabeth Lebovici  93
    6. Freud, Saturn, and the Power of Hypnosis / Mary Bergstein  104
    7. On the Couch / Mignon Nixon  134
    8. Vision's Unseen: On Sovereignty, Race, and the Optical Unconscious / Mark Reinhardt  174
    9. Sligo Heads / Kristan Horton  223
    10. Developing Historical Negatives: The Colonial Photographic Archive as Optical Unconscious / Gabrielle Moser  229
    11. The Purloined Image / Laura Wexler  264
    12. The Vancouver Carts: A Brief MÉ
    moire / Kelly Wood  281
    13. Vietnamese Photography and the Look of Revolution / Thy Phu  286
    14. Shooting in the Dark: A Note on the Photographic Imagination / Sharon Sliwinski  321
    15. Slow / Terri Kapsalis  339
    Contributors  363
    Index  367
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