Performing the American Frontier, 1870–1906

This book examines how the American frontier was presented in theatrical productions.

Roger A. Hall (Author)

9780521793209, Cambridge University Press

Hardback, published 16 August 2001

294 pages, 23 b/w illus.
22.9 x 15.2 x 2.1 cm, 0.603 kg

"A tremendous resource that will be beneficial not only to theater studies but also to anyone interested in the complex relationship between a wide range of cultural productions (literary realism, cinema, even painting and illustration) and the geographical and iconic status of the American West..." Comparative Drama

Performing the American Frontier, 1870–1906 examines how the American frontier was presented in theatrical productions during the critical period from the end of the Civil War to the beginning of cinema. In chronological fashion, the book explores the post-Civil War resurgence of interest in drama about the frontier, which led to a host of action-packed melodramas. From famous personalities such as Mark Twain and 'Buffalo Bill' Cody to lesser-known individuals such as native American playwright and actress Gowongo Mohawk, Hall examines the plays, the players, and the playwrights who helped to define the American westward migration in theatrical terms and covers the complete dramatic experience including scenery, performance and staging. The book demonstrates the extraordinary variety of subject matter and theatrical styles used to dramatize the frontier, and places frontier drama within the context of its society by framing the productions with the contemporary debates on national policies.

List of illustrations
Acknowledgements
Introduction: conditions and contradictions
1. Reemergence: 1870–2
2. Explosion: 1872–6
3. Prominence: 1877–83
4. Phenomenon: 1883–92
5. Respect: 1893–9
6. Dominance: 1899–1906
Summary
Notes
Bibliography
Index.

Subject Areas: Modern history to 20th century: c 1700 to c 1900 [HBLL], History of the Americas [HBJK], Literature: history & criticism [DS], Theatre studies [AN]