1 0
    £37.39 GBP
    £37.39 GBP
    Sale Sold out
    Free UK Shipping

    Freshly Printed - allow 7 days lead

    Out of the Gutters
    Obscenity, Censorship, and Transgression in American Comics

    Jorge J. Santos (Edited by), Patrick Lawrence (Edited by)

    9781477331804, University of Texas Press

    Hardback, published 10 June 2025

    304 pages, 30 b&w illustrations
    22.9 x 15.2 x 3 cm, 0.54 kg

    A rich and compelling compilation of essays, Out of the Gutters is a valuable resource for readers across fields, from comix/graphic novel devotees, to students of censorship or obscenity law, to those interested in underground publishers and transgressive cultural forms. Thoughtful and engaging, this volume draws on a wide body of materials that will make it a key resource.
    - Brett J. Gary, New York University, author of Dirty Works: Obscenity on Trial in America's First Sexual Revolution

    Comics have long been a subject of moral panics, no doubt thanks to their in-your-face illustrations and their association with young readers. Indeed, the politicians and parents behind today’s book-banning campaigns reserve special ire for graphic novels. What makes today’s controversies different is the content of the alleged obscenity. Instead of targeting sex as such, censors now focus on affirmations of nonheteronormative identity, as in Maia Kobabe’s Gender Queer. And while violence is a constant in comics, stories that acknowledge nationalist oppression and violence, such as Art Spiegelman’s Maus, are also being blacklisted.

    Out of the Gutters assembles scholars from diverse disciplines to examine US comics, graphic novels, and cartooning that have been challenged as obscene or transgressive. Covering well-known underground figures like Robert Crumb and Charles Burns, newcomers such as C. Spike Trotman and Emil Ferris, and mainstream creators including Chris Claremont and Archie Goodwin, the collection explores the market economics of transgression, historical representations of graphic violence, the ever-changing meaning of pornography, sex-positive comics by BIPOC authors, and queerness in pop-culture mega-properties like X-Men and The Walking Dead.

    • List of Illustrations
    • Foreword. Your Obscene Is Not Mine: A Defense of the Art of Comics (Frederick Luis Aldama)
    • Introduction. “
      A Cultural Slaughter of the Innocents”
      (Patrick S. Lawrence and Jorge J. Santos Jr.)
    • Timeline of Significant Events
    • Part One. Out of the Gutters: Comics’
      History of Obscenity
      • 1. Why Sex? (Hillary Chute)
      • 2. “
        Wise Up, Old Hags! Th’
        Weak One Is a Valuable Possession to Us”
        : R. Crumb’
        s Bible of Filth and Obscenity as Artificial Scarcity (Patrick S. Lawrence)
      • 3. Howard Cruse’
        s War on the War on Obscenity (Andrew J. Kunka)
      • 4. Obscene Histories: Indexing the Racial Phantasms of Blazing Combat (Jorge J. Santos Jr.)
    • Part Two. Obscenity in the Gutters and at the Margins
      • 5. Graphic Storytelling, Book Challengers, and Obscenity (Richard S. Price)
      • 6. Big-Boned Sapphic Smut: The Reading Pleasure of Comics by and about Black Women (Cathy Thomas)
      • 7. Robert Kirkman’
        s Gays in the Gutter: Anti-Queer Censorship, Obscenity, and The Walking Dead (Jarred Wiehe)
    • Part Three. Theorizing the Obscene, Seeing Obscenity
      • 8. Planet Xeno: Obscenity as Erotic Alienation in Charles Burns (Jordan Carroll)
      • 9. Seen, Unseen, and Obscene: Historical Violence in Comic Books (Jennifer Caplan)
      • 10. Obscene Empathy: Kink and the Comics Code Authority in X-Men’
        s “
        Dark Phoenix Saga”
        (Anthony D’
        Agostino)
      • 11. Boobs Monsters: Emil Ferris’
        s My Favorite Thing Is Monsters, Horror Comics, and the Fate of Disciplinary Normalization in the Twenty-First Century (Lee Konstantinou)
    • Afterword. A Conversation about Community with MariNaomi (Jorge J. Santos Jr.)
    • Acknowledgments
    • Contributors
    • Index

    View full details