New Theatre Quarterly 69: Volume 18, Part 1

Provides an international forum where theatrical scholarship and practice can meet.

Clive Barker (Edited by), Simon Trussler (Edited by)

9780521013147, Cambridge University Press

Paperback, published 12 December 2002

96 pages, 10 b/w illus.
24.8 x 17.5 x 0.7 cm, 0.217 kg

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 69 include: Cue for Passion: on the Dynamics of Shakespearean Acting; In Search of the Lost Mode: Improvisation and All That Jazz; Still In Yer Face? Towards a Critique and a Summation; The Acteon Complex: Gaze, Body, and Rites of Passage in Hedda Gabler; The RSC Goes Walkabout: The Dillen in Stratford, 1983; After Grotowski – the Next Generation; The Ventriloquial Paradox: George Steiner's The Portage to San Cristobal of A. H.

Cue for Passion: on the Dynamics of Shakespearean Acting Charles Marowitz
In Search of the Lost Mode: Improvisation and All That Jazz Clive Barker
Still In Yer Face? Towards a Critique and a Summation Aleks Sierz
The Acteon Complex: Gaze, Body, and Rites of Passage in Hedda Gabler Erik Østerud
The RSC Goes Walkabout: The Dillen in Stratford, 1983 Catherine Prentice and Helena Leongamornlert
After Grotowski – the Next Generation Paul Allain
The Ventriloquial Paradox: George Steiner's The Portage to San Cristobal of A. H. Nick White.

Subject Areas: Films, cinema [APF]