New Theatre Quarterly 67: Volume 17, Part 3

Provides an international forum where theatrical scholarship and practice can meet.

Clive Barker (Edited by), Simon Trussler (Edited by)

9780521002806, Cambridge University Press

Paperback, published 26 October 2001

96 pages, 20 b/w illus.
24.8 x 17.6 x 0.8 cm, 0.217 kg

New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 67 include: Dramas of the Performative Society: Theatre at the End of its Tether; The Ethics of Indeterminacy: Theatre de Complicite's 'Mnemonic'; Prague Summer: Encounters with a Third Kind of Theatre; Puppetry and Patapysics: Populism and the Ubu Cycle; The Masks of Greek Tragedy as Point of Departure for Modern Performance; Stumbling in the Dark: Facets of Sensory Perception and Robert Wilson's 'H.G.' Installation; NTQ Checklist: Sarah Kane.

Dramas of the Performative Society: Theatre at the End of its Tether Baz Kershaw
The Ethics of Indeterminacy: Theatre de Complicite's 'Mnemonic' Helen Freshwater
Prague Summer: Encounters with a Third Kind of Theatre Catherine Diamond
Puppetry and Patapysics: Populism and the Ubu Cycle Kimberly Jannarone
The Masks of Greek Tragedy as Point of Departure for Modern Performance Chris Vervain and David Wiles
Stumbling in the Dark: Facets of Sensory Perception and Robert Wilson's 'H.G.' Installation Stephen Di Benedetto
NTQ Checklist: Sarah Kane Alex Sierz.

Subject Areas: Theatre studies [AN]