Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire.

By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire.