Skip to product information
1 of 1
Regular price £34.45 GBP
Regular price £36.99 GBP Sale price £34.45 GBP
Sale Sold out
Free UK Shipping

Freshly Printed - allow 8 days lead

Nazi Cinema's New Women

This book examines the careers of three of Nazi cinema's preeminent movie actresses, offering a unique portrait of mass entertainment under Nazi rule.

Jana F. Bruns (Author)

9781107405103, Cambridge University Press

Paperback / softback, published 19 July 2012

286 pages
22.9 x 15.2 x 1.6 cm, 0.42 kg

'… Bruns succeeds in adding nuance, complexity, and richness to our understanding of Nazi cinema and its leading actresses, Söderbaum, Rökk, and Leander. Through her comparative analysis of three film stars, both on and off the big screen, and her two-fold - textual and historical - approach, Bruns shines an unsparing light on the unresolved ambivalence that market both gender ideology and film policy in Nazi Germany.' The Journal of Central European History

This book examines the careers of three of Nazi cinema's preeminent movie actresses, painting a unique portrait of mass entertainment and stardom under Nazi rule. Bruns uses undiscovered sources and a new approach, which integrates visual analysis within a thorough political and social context, to trace how the Nazis tried to use films and stars to build National Socialism. This analysis focuses on female stars - an important but largely unexplored area - because they were mostly responsible for Nazi cinema's spectacular commercial success and political failure. Challenging earlier studies, which view Nazi cinema as an effective propaganda instrument that helped turn Germans into devoted 'Aryan' mothers and tough warriors, the book shows that the Nazi regime's liaison with the cinema was ambivalent. Films failed to disseminate a coherent political message and to Nazify German society. However, they helped the regime maintain power by diverting people's attention from the brutality of Hitler's rule and, eventually, from impending defeat.

1. Film stars and the institutional development of German film
2. The queen of revue films: Marika Roekk
3. The eternal feminine: Zarah Leander
4. The disobedient maiden: Kristina Soederbaum.

Subject Areas: Fascism & Nazism [JPFQ], 20th century history: c 1900 to c 2000 [HBLW], Films, cinema [APF]

View full details