Modernist Writing and Reactionary Politics

Ferrall offers insights into the relation between modernist aesthetics, technology and politics.

Charles Ferrall (Author)

9780521793452, Cambridge University Press

Hardback, published 1 February 2001

212 pages
23.7 x 16.1 x 1.9 cm, 0.48 kg

"This is a carefully researched, thoughtful exposition of the views of five influential modernists." Modernism/Modernity 11/01

In Modernist Writing and Reactionary Politics, Charles Ferrall argues that the politics of Yeats, Pound, Eliot, Lawrence, and Wyndham Lewis were a response to the separation of art from an increasingly industrialised society. Fascism became attractive to these writers because it promised to reintegrate art into society while simultaneously guaranteeing its autonomy. Yet with the exception of Pound and Yeats, these writers all finally rejected fascism, preferring instead to see the aesthetic as a sphere in permanent opposition to liberal democracy, rather than the basis for a new social order. Individual chapters focus on Yeats and decolonisation, Pound and 'the Jews', Eliot and the uncanny, and Lawrence and homosexuality, and Lewis and the Cartesian primitive. Ferrall's account of why some of the greatest writers of the early twentieth century became involved in reactionary politics offers insights into the relation between modernist aesthetics, technology and avant-gardism.

Acknowledgements
Introduction
1. W. B. Yeats and the family romance of Irish Nationalism
2. Ezra Pound and the poetics of literalism
3. 'Neither Living nor Dead': T. S. Eliot and the uncanny
4. The homosocial and Fascism in D. H. Lawrence
5. 'Always a Deux': Wyndham Lewis and his doubles
Notes
Works cited
Index.

Subject Areas: Literary studies: general [DSB]