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Media and Cultural Studies
Keyworks
“With new material on social networks and social movements, this new edition of Durham and Kellner's reader retains its status as the best available compendium of essays on cultural criticism and interpretation.” “Durham and Kellner have once again given us the indispensible anthology of canonical and cutting edge work in the field. The second edition comes along at just the right moment, grounding and guiding us through the profound transformations in media and culture.” “Media and Cultural Studies: KeyWorks, Second Edition is a thought-provoking collection of seminal conceptual essays that engage readers and illuminate the myriad of relationships existing between media, culture and society.” "The first edition was a must-have addition to the critical media scholar's bookshelf. The new edition improves on a classic."
- Theodore L. Glasser, Stanford University
- Jack Bratich, Rutgers University
“Bringing these canonical works together - with welcome additions in new media and globalization—provides a great service. As the media/society transformations become more complex, the editors’ multi-perspectival view keeps the critical focus on power and domination.”
- Stephen D. Reese, University of Texas
- Bonnie Brennen, Marquette University
- D. Charles Whitney, Northwestern University School of Communication
Meenakshi Gigi Durham (Edited by), Douglas M. Kellner (Edited by)
9780470658086, Wiley
Paperback / softback, published 9 February 2012
648 pages
24.1 x 18.5 x 3 cm, 1.089 kg
Revised and updated with a special emphasis on innovations in social media, the second edition of Media and Cultural Studies: Keyworks stands as the most popular and highly acclaimed anthology in the dynamic and multidisciplinary field of cultural studies.
Preface to the Second Edition ix About the Editors xi Adventures in Media and Cultural Studies: Introducing the KeyWorks 1 Part I: Culture, Ideology, and Hegemony Introduction to Part I 27 1 The Ruling Class and the Ruling Ideas 31 2 (i) History of the Subaltern Classes; (ii) The Concept of “Ideology”; (iii) Cultural Themes: Ideological Material 34 3 The Work of Art in the Age of Mechanical Reproduction 37 4 The Culture Industry: Enlightenment as Mass Deception 53 5 The Public Sphere: An Encyclopedia Article 75 6 Ideology and Ideological State Apparatuses (Notes Towards an Investigation) 80 Part II: Social Life and Cultural Studies Introduction to Part II 89 7 (i) Operation Margarine; (ii) Myth Today 95 8 The Medium is the Message 100 9 The Commodity as Spectacle 107 10 Introduction: Instructions on How to Become a General in the Disneyland Club 110 11 Base and Superstructure in Marxist Cultural Theory 115 12 (i) From Culture to Hegemony; (ii) Subculture: The Unnatural Break 124 13 Encoding/Decoding 137 14 On the Politics of Empirical Audience Research 145 Part III: Political Economy Introduction to Part III 163 15 Contribution to a Political Economy of Mass-Communication 166 16 On the Audience Commodity and its Work 185 17 A Propaganda Model 204 18 Not Yet the Post-Imperialist Era 231 19 Gendering the Commodity Audience: Critical Media Research, Feminism, and Political Economy 242 20 (i) Introduction; (ii) The Aristocracy of Culture 249 21 On Television 253 Part IV: The Politics of Representation Introduction to Part IV 263 22 Visual Pleasure and Narrative Cinema 267 23 Stereotyping 275 24 The Readers and their Romances 283 25 Eating the Other: Desire and Resistance 308 26 Booty Call: Sex, Violence, and Images of Black Masculinity 318 27 British Cultural Studies and the Pitfalls of Identity 337 28 Under Western Eyes: Feminist Scholarship and Colonial Discourses 347 29 Hybrid Cultures, Oblique Powers 365 Part V: The Postmodern Turn, New Media and Social Networking Introduction to Part V 383 30 The Precession of Simulacra 388 31 Postmodernism, or the Cultural Logic of Late Capitalism 407 32 Feminism, Postmodernism and the “Real Me” 433 33 Postmodern Virtualities 442 34 Quentin Tarantino’s Star Wars?: Digital Cinema, Media Convergence, and Participatory Culture 452 35 Alternative and Activist New Media: A Genre Framework 471 36 Social Network Sites: Definition, History, and Scholarship 491 Part VI: Globalization and Social Movements 37 Disjuncture and Difference in the Global Cultural Economy 511 38 The Global and the Local in International Communications 524 39 The Homeland/Aztlan 539 40 The Processes: From Nationalisms to Transnationalisms 545 41 Globalization as Hybridization 567 42 (Re)Asserting National Television and National Identity Against the Global, Regional, and Local Levels of World Television 582 43 Oppositional Politics and the Internet: A Critical/Reconstructive Approach 597 Acknowledgments 615 Index 619
Douglas M. Kellner and Meenakshi Gigi Durham
Karl Marx and Friedrich Engels
Antonio Gramsci
Walter Benjamin
Max Horkheimer and Theodor W. Adorno
Jurgen Habermas
Louis Althusser
Roland Barthes
Marshall McLuhan
Guy Debord
Ariel Dorfman and Armand Mattelart
Raymond Williams
Dick Hebdige
Stuart Hall
Ien Ang
Nicholas Garnham
Dallas W. Smythe
Edward Herman and Noam Chomsky
Herbert I. Schiller
Eileen R. Meehan
Pierre Bourdieu
Pierre Bourdieu
Laura Mulvey
Richard Dyer
Janice Radway
bell hooks
Patricia Hill-Collins
Paul Gilroy
Chandra Talpade Mohanty
Nestor Garcıa Canclini
Jean Baudrillard
Fredric Jameson
Angela McRobbie
Mark Poster
Henry Jenkins
Leah A. Lievrouw
d. m. boyd and N. B. Ellison
Introduction to Part VI 507
Arjun Appadurai
Annabelle Sreberny
Gloria Anzaldua
Jesus Martın-Barbero
Jan Nederveen Pieterse
Joseph Straubhaar
Richard Kahn and Douglas M. Kellner
Subject Areas: Society & culture: general [JF]
