Mann: Doctor Faustus

In this study, Michael Beddow analyses the chief historical, theological, psychological and musical themes of this complex work, and considers Mann's indebtedness to the Faust tradition, Nietzsche and neo-Marxism.

Michael Beddow (Author)

9780521375924, Cambridge University Press

Paperback, published 29 September 1994

136 pages, 2 tables
19.6 x 13 x 1 cm, 0.15 kg

In Doctor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. Through the figures of the solitary avant-garde composer, Adrian Leverkühn, and his often bemused biographer Serenus Zeitblom, Mann explores Germany's self-understanding and self-assertion. The novel intermingles fiction and history in a narrative that combines complex psychological analysis, virtuoso stylistic parody and vivid evocation of atmosphere and milieu. Michael Beddow analyses the structure of the plot and explores the significance of its chief historical, theological, psychological and musical themes. He considers Mann's understanding and modification of the Faust tradition, his thematic and formal indebtedness to Nietzsche and his interest in Adorno's neo-Marxism. The study concludes with an account of the work's generally hostile reception in defeated Germany.

Acknowledgements
Chronological table of Thomas Mann's life
Table of Adrian Leverkühn's life and works
Note on editions
1. Antecedents
2. An artist's life
3. Matters theological
4. Germans
5. Reception
6. Further reading.

Subject Areas: Literary studies: fiction, novelists & prose writers [DSK]