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Making Intangible Heritage
El Condor Pasa and Other Stories from UNESCO
Valdimar Hafstein (Author)
9780253037930
Paperback / softback, published 29 August 2018
212 pages, 20 b&w illus. - 20 Illustrations, black and white
22.9 x 15.2 x 1.5 cm, 0.295 kg
While a prior knowledge of international heritage policy can help, students, scholars, and professionals in anthropology, folklore, and allied fields and disciplines – those interested in heritage theory and practice, and those out on the frontlines of "ICH" work – should read this book. The book is a useful tool for the study of critical heritage studies as well as for the expansion of our knowledge about the uses and resignifications linked to the concept of intangible heritage.
In Making Intangible Heritage, Valdimar Tr. Hafstein—folklorist and official delegate to UNESCO—tells the story of UNESCO's Intangible Heritage Convention. In the ethnographic tradition, Hafstein peers underneath the official account, revealing the context important for understanding UNESCO as an organization, the concept of intangible heritage, and the global impact of both. Looking beyond official narratives of compromise and solidarity, this book invites readers to witness the diplomatic jostling behind the curtains, the making and breaking of alliances, and the confrontation and resistance, all of which marked the path towards agreement and shaped the convention and the concept. Various stories circulate within UNESCO about the origins of intangible heritage. Bringing the sensibilities of a folklorist to these narratives, Hafstein explores how they help imagine coherence, conjure up contrast, and provide charters for action in the United Nations and on the ground. Examining the international organization of UNESCO through an ethnographic lens, Hafstein demonstrates how concepts that are central to the discipline of folklore gain force and traction outside of the academic field and go to work in the world, ultimately shaping people's understanding of their own practices and the practices themselves. From the cultural space of the Jemaa el-Fna marketplace in Marrakech to the Ise Shrine in Japan, Making Intangible Heritage considers both the positive and the troubling outcomes of safeguarding intangible heritage, the lists it brings into being, the festivals it animates, the communities it summons into existence, and the way it orchestrates difference in modern societies.
Prelude: Confessions of a Folklorist 1. Making Heritage: Introduction 2. Making Threats: The Condor's Flight 3. Making Lists: The Dance Band in the Hospital 4. Making Communities: Protection as Dispossession 5. Making Festivals: Folklorisation Revisited Postlude: Intangible Heritage as Diagnosis, Safeguarding as Treatment Conclusion: If Intangible Heritage is the Solution, What is the Problem? Acknowledgments Works Cited Index