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Lost Sounds
Blacks and the Birth of the Recording Industry, 1890-1919

Tim Brooks (Author)

9780252073076

Paperback / softback, published 8 July 2005

656 pages, 57 photographs
25.4 x 17.8 x 4.3 cm, 1.107 kg

Winner of an ASCAP Deems Taylor Award, 2005.  Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005.  Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.
— ASCAP

Winner of an ASCAP Deems Taylor Award, 2005.  Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005.  Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.
— ARSC

Winner of an ASCAP Deems Taylor Award, 2005.  Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005.  Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.
— Society for American Music

Winner of an ASCAP Deems Taylor Award, 2005.  Winner of the ARSC Award for Best Research in General History of Recorded Sound, 2005.  Winner of the Irving Lowens Award, given by the Society for American Music for the best work published in 2004 in the field of American music. Tim Brooks received the Association for Recorded Sound Collections (ARSC) Lifetime Achievement Award, 2004.
— ARSC

A groundbreaking history of African Americans in the early recording industry, Lost Sounds examines the first three decades of sound recording in the United States, charting the surprising roles black artists played in the period leading up to the Jazz Age and the remarkably wide range of black music and culture they preserved.

Drawing on more than thirty years of scholarship, Tim Brooks identifies key black recording artists and profiles forty audio pioneers. Brooks assesses the careers and recordings of George W. Johnson, Bert Williams, George Walker, Noble Sissle, Eubie Blake, the Fisk Jubilee Singers, W. C. Handy, James Reese Europe, Wilbur Sweatman, Harry T. Burleigh, Roland Hayes, Booker T. Washington, and boxing champion Jack Johnson, plus a host of lesser-known voices. Many of these pioneers struggled to be heard in an era of rampant discrimination. Their stories detail the forces––black and white––that gradually allowed African Americans to enter the mainstream entertainment industry.

Lost Sounds includes Brooks's selected discography of CD reissues and an appendix by Dick Spottswood describing early recordings by black artists in the Caribbean and South America.

Cover
Title Page
Copyright Page
Contents
Preface
Acknowledgments
Introduction: Lost, Stolen, or Strayed?
PART ONE: George W. Johnson, the First Black Recording Artist
1. The Early Years
2. Talking Machines!
3. The Trial of George W. Johnson
PART TWO: Black Recording Artists, 1890-99
4. The Unique Quartette
5. Louis "
Bebe"
Vasnier: Recording in Nineteenth-Century New Orleans
6. The Standard Quartette and South before the War
7. The Kentucky Jubilee Singers
8. Bert Williams and George Walker
9. Cousins and DeMoss
10. Thomas Craig
PART THREE: Black Recording Artists, 1900-1909
11. The Dinwiddie Quartet
12. Carroll Clark
13. Charley Case: Passing for White?
14. The Fisk Jubilee Singers and the Popularization of Negro Spiriituals
15. Polk Miller and His Old South Quartette
PART FOUR: Black Recording Artists, 1920-15
16. Jack Johnson
17. Daisy Tapley
18. Apollo Jubilee Quartette
19. Edward Sterling Wright and the Poery of Paul Laurence Dunbar
20. James Reese Europe
21. Will Marion Cook and the Afro-American Folk Song Singers
22. Dan Kildare and Joan Sawyer's Persian Garden Orchestra
23. The Tuskegee Institute Singers
24. The Right Quintette
PART FIVE: Black Recording Artists, 1916-19
25. Wilbur C. Sweatman: Disrespecting Wilbur
26. Opal D. Cooper
27. Noble Sissle and Eubie Blake
28. Ford T. Dabney: Syncopation over Broadway
29. W. C. Handy
30. Roland Hayes
31. The Four Harmony Kings
32. Broome Special Phonograph Records
33. Edward H. Boatner
34. Harry T. Burleigh
35. Florence Cole-Talbert
36. R. Nathaniel Dett
37. Clarence Cameron White
PART SIX: Other Early Recordings
38. Miscellaneous Recordings
Appendix: Caribbean and South American Recordings
Notes
Select CD Discography
Bibliography
Index

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