Liszt as Transcriber

Providing illuminating insights into Liszt's working methods, this book investigates the composer's transcriptions in their musical, cultural, and historical contexts.

Jonathan Kregor (Author)

9781107411388, Cambridge University Press

Paperback / softback, published 25 October 2012

314 pages
24.4 x 17 x 1.7 cm, 0.5 kg

Review of the hardback: 'An excellent new book …' The New York Review of Books

Franz Liszt's colleagues considered him to be one of the most accomplished and innovative practitioners in the field of musical reproduction, a reputation for which he is still admired today. Yet, while his transcriptions are widely performed, few studies have investigated the role that transcriptions played in Liszt's artistry, to say nothing of the impact they had on the music-making experience of his day. Using a host of interdisciplinary methods and primary source materials, this book provides a comprehensive survey of Liszt's lifelong involvement with the transcription, in which he assumed the roles of composer, collaborator, propagandist, commemorator, philosopher, and artist while simultaneously disseminating - often critically - the music of Beethoven, Berlioz, Schubert, Wagner, and other eighteenth- and nineteenth-century composers. By recognizing transcription as an extraordinarily flexible tool for Liszt and his contemporaries, Liszt as Transcriber provides numerous musical, cultural, and historical contexts for this fundamentally important practice of the period.

Introduction: the visible transcriber
1. Models and methods
2. Collaboration and content
3. Compositional fantasies
4. Monuments and mythologies
5. Opera and drama
6. Stylistic reconstructions
Bibliography.

Subject Areas: Romantic music [c 1830 to c 1900 AVGC5]