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King Yellowman
Meaningful Bodies in Jamaican Dancehall Culture
Brent Hagerman (Author)
9789766408510
Paperback / softback, published 22 September 2021
277 pages
22.8 x 15.2 x 2.2 cm, 0.581 kg
Jamaican deejay
Yellowman divided a country with his bawdy songs and his very body: he has been
wildly popular among dancehall fans, yet widely despised by polite society. Even
though his contribution to Jamaican musical culture is immense, scholars have
ignored him and reggae histories have largely misunderstood him. King Yellowman: Meaningful
Bodies in Jamaican Dancehall Culture is the first serious study of one Jamaica's most significant artists
and dancehall’s first major international star. It is a critical biography designed
to satisfy fans while furthering academic discourse on dancehall by offering a
new perspective on the way Yellowman negotiates the slackness/culture binary in
Jamaican music. Based on years of ethnographic
fieldwork, Brent Hagerman begins with the compelling story of Winston Foster’s
early life as an abandoned ghetto outcast and his hard-fought journey to become
the King of Dancehall, then goes on to a critical exploration of the
marginalization of people with albinism in Jamaica and the use of slackness in
Caribbean music. Through slackness and his mobilization of Rastafarian symbols,
Yellowman subverts embedded Jamaican cultural notions of sexuality, gender, and
race to overcome his cultural displacement, promote his yellow body as sexually
appealing and forge a place for himself among the Jamaican body politic.
Preface ix Acknowledgements xiii Introduction 1 Part 1. The Life and Times of Yellowman 1 Abandoned: The Early Life of Winston “Yellowman” Foster, 1957–1971 19 2 From Alpha to Eventide: The Teenage Years, 1971–1976 30 3 Ranking Dundus: Breaking into the Music Business, 1977–1978 46 4 Mad over Me: Tastee Talent Competition to Aces International, 1979–1981 74 5 Ram Jam Master, 1981 94 6 Jamaica Proud of Me, 1982 127 7 King Yellowman, 1983–1984 150 8 Can’t Hide from Jah: Encounters with Religion 178 9 Sufferation, That’s All I Know: Cancer, 1985 192 10 Message to the World: Prayer and More Slackness 200 Part 2. Meaningful Bodies in Jamaican Dancehall Culture 11 Yellowman, Race, Sex and Masculinity 225 12 Yellowman in Reggae Histories and Scholarship 248 13 Yellowman, Slackness and Social Critique 286 14 Yellowman as Moral Regulator 296 15 Yellowman, Sex and Religion 313 Conclusion 335 Appendix 1: “Galong Galong Galong” 339 Appendix 2: Selected Album Covers 341 Notes 347 References 357 Index 369