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Indigenous Media Arts in Canada
Making, Caring, Sharing
Dana Claxton (Edited by), Ezra Winton (Edited by)
9781771125413
Paperback / softback, published 11 April 2023
450 pages, 40 illustrations
22.8 x 14.9 x 2.7 cm, 0.68 kg
“Dana Claxton and Ezra Winton’s collection of conversations between, for, and about Indigenous media makers poses vital, critical, and generative questions about Indigenous film, film festivals and institutions, residential school histories, and decolonization without providing easy answers. These conversations are at times joyful expressions of the radical possibilities of media arts and at times painful provocations about settler colonial violence and its representational apparatuses. The chapters, written by the most brilliant and creative minds in contemporary Indigenous film, are paradigm-shifting love letters to the land, lived experience, collaboration, and futurity.” —Michelle Raheja, Associate Professor, Department of English, University of California, Riverside, author of Reservation Reelism: Redfacing, Visual Sovereignty, and Representations of Native Americans in Film
Indigenous and settler scholars and media artists discuss and analyze crucial questions of narrative sovereignty, cultural identity, cultural resistance, and decolonizing creative practices. Humans are narrative creatures, and since the dawn of our existence we have shared stories. Storytelling is what connects us, what helps us give shape and understanding to the world and to each other. Who tells whose stories in which particular ways leads to questions of belonging, power, relationality, community and identity. This collection explores those issues with a focus on settler-Indigenous cultural politics in the country known as Canada, looking in particular at Indigenous representation in media arts. Chapters feature roundtable discussions, interviews, film analyses, resurgent media explorations, visual culture advocacy and place-based practices of creative expression. Eclectic in scope and diverse in perspective, Indigenous Media Arts in Canada is unified by an ethic of conciliation, collaboration, and cultural resistance. Engaging deftly and thoughtfully with instances of cultural appropriation as well as the oppressive structures that seek to erode narrative sovereignty, this collection shines as a crucial gathering of thoughtful critique, cultural kinship, and creative counterpower.
s Media Arts –
Edited by Dana Claxton and Ezra Winton
Dana Claxton and Ezra Winton
Decolonizing Media Arts Institutions
Dana Claxton and Ezra Winton
Danis Goulet and Tasha Hubbard with Jesse Wente, Alethea Arnaquq-Baril and Shane Belcourt
s Festival Performance of Angirattut Claudia Sicondolfo
Protecting Culture
Dana Claxton and Ezra Winton
kmaw Film –
Margaret Robinson and Bretten Hannam
Brenda Longfellow
bec Cinema: From Alanis Obomsawin’
s Mother of Many Children to Michel Poulette’
s Maï
na –
Karine Bertrand
Our Circle Is Always Open”
: Indigenous Voices, Children’
s Rights, and Spaces of Inclusion in the Films of Alanis Obomsawin Joanna Hearne
Methods/Practices/Knowledges/Interventions
Jules Arita Koostachin
Michelle Stewart
Julie Nagam and Carla Taunton
Sasha Crawford-Holland and Lindsay LeBlanc
Making Things Our [Digital] Own”
: Sovereignty in Indigenous Computational Art –
Sasha Crawford-Holland and Lindsay LeBlanc
Eugenia Kisin and Lisa Jackson
Dana Claxton and Ezra Winton
Lisa Jackson
Makers and Thinkers