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    Imagining the Method
    Reception, Identity, and American Screen Performance

    Justin Owen Rawlins (Author)

    9781477328507, University of Texas Press

    Hardback, published 16 January 2024

    272 pages, 27 b&w photos
    2.8 x 16.2 x 3 cm, 0.54 kg

    Method acting is analyzed with startling insight in Imagining the Method. Rawlins shares the history of the acting style, and looks closely at its most notable proponents. The chapter on Dustin Hoffman and Tootsie is a marvel.
    (The Film Stage)
    Rawlins’s extensive research ensures that the book offers new insights to all readers...Rawlins’s sustained inquiries into the interpretive landscape, together with his analyses of documents that reveal the gendered and racial hierarchies naturalized in commentaries about Method actors’ rebelliousness and vulnerability, make Imagining the Method a significant contribution to work on screen performance, cinema and media studies, and American cultural history.
    (Screen)

    A revisionist history of Method acting that connects the popular reception of “methodness” to entrenched understandings of screen performance still dominating American film discourse today.

    Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method investigates how popular understandings of the so-called Method-what its author Justin Rawlins calls "methodness"-created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.

    Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.

    • Introduction. What We Talk about When We Talk about the Method
    • Chapter 1. Methodists and Method-ists: Primordial Ideas of Methodness
    • Chapter 2. Acting a Foil: John Wayne, Marlon Brando, and the Othering of Methodness
    • Chapter 3. James Dean’
      s Story: Posthumous Reception and Methodness Memorialized
    • Chapter 4. History in Hysteria: John Garfield and the Limits of Methodness
    • Chapter 5. Illogical Tomatoes to Inscrutable Feats: Methodness to the Present
    • Conclusion. Facing a Future Methodness
    • Acknowledgments
    • Notes
    • Selected Bibliography
    • Index

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