Hoodlum Movies
Seriality and the Outlaw Biker Film Cycle, 1966-1972
Peter Stanfield (Author)
9780813599021
Hardback, published 13 July 2018
214 pages, 5 color photos and 31 black and white photos
22.9 x 15.2 x 1.1 cm, 0.435 kg
"When Peter Stanfield publishes a book, it's a cult cinephile's cause for celebration. Outside of the woefully out-of-print Big Book of Biker Movies, this is the best work on the subgenre yet."
— Flick Attack
"No one has gone as far as Stanfield in conceptualizing the notion of the film 'cycle.' Hoodlum Movies is a strong, interesting, and original look at the biker genre, an understudied set of films."
— William Straw, author of Cyanide and Sin: Visualizing Crime in 50's America
"When Peter Stanfield publishes a book, it's a cult cinephile's cause for celebration. Outside of the woefully out-of-print Big Book of Biker Movies, this is the best work on the subgenre yet."
— Bookgasm
— Chronicle of Higher Education
From The Wild Angels in 1966 until its conclusion in 1972, the cycle of outlaw motorcycle films contained forty-odd formulaic examples. All but one were made by independent companies that specialized in producing exploitation movies for drive-ins, neighborhood theaters, and rundown inner city theaters. Despised by critics, but welcomed by exhibitors denied first-run films, these cheaply and quickly produced movies were made to appeal to audiences of mobile youths. The films are repetitive, formulaic, and eminently forgettable, but there is a story to tell about all of the above, and it is one worth hearing. Hoodlum Movies is not only about the films, its focus is on why and how these films were made, who they were made for, and how the cycle developed through the second half of the 1960s and came to a shuddering halt in 1972.
Contents
Introduction: hoodlum poses and gestures
1
Strange Excitements: the topical and the sensational
2
Getting Out of Town: the cycle unfolds
3
After Easy Rider: modulations and curious combinations
4
Nazi Satanists, Viet Vets and M'cycle Mamas (and other such pulp delights)
Conclusion: buried in the sand forever
Acknowledgments
Index
