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Gender, Desire, and Sexuality in T. S. Eliot
A collection of essays on sexuality, desire and feminism in T. S. Eliot's work.
Cassandra Laity (Edited by), Nancy K. Gish (Edited by)
9780521039468, Cambridge University Press
Paperback / softback, published 16 August 2007
280 pages
22.5 x 15.3 x 1.5 cm, 0.43 kg
'… it provides valuable insight for those interested in modernism and gender, and it is absolutely essential reading for scholars of Eliot.' Twentieth Century Literature
This collection of essays brings together scholars from a wide range of critical approaches to study T. S. Eliot's engagement with desire, homoeroticism and early twentieth-century feminism in his poetry, prose and drama. Ranging from historical and formalist literary criticism to psychological and psychoanalytic theory and cultural studies, Gender, Desire and Sexuality in T. S. Eliot illuminates such topics as the influence of Eliot's mother - a poet and social reformer - on his art; the aesthetic function of physical desire; the dynamic of homosexuality in his poetry and prose; and his identification with passive or 'feminine' desire in his poetry and drama. The book also charts his reception by female critics from the early twentieth century to the present. This book should be essential reading for students of Eliot and Modernism, as well as queer theory and gender studies.
Acknowledgements
Notes on contributors
Introduction: Eliot, gender and modernity Cassandra Laity
Part I. Homoeroticisms: 1. The love song of T. S. Eliot: elegiac homoeroticism in the early poetry Colleen Lamos
2. T. S. Eliot, famous clairvoyante Tim Dean
3. 'Cells in one body': nation and eros in the early work of T. S. Eliot Michele Tepper
4. The masculinity behind the ghosts of modernism in Eliot's Four Quartets Peter Middleton
Part II. Desire: 5. Discarnate desire: T. S. Eliot and the poetics of dissociation Nancy K. Gish
6. Mimetic desire and the return to origins in The Waste Land Jewel Spears Brooker
7. Theorizing emotion in Eliot's poetry and poetics Charles Altieri
Part III. Modern Women: 8. Through schoolhouse windows: women, the academy and T. S. Eliot Gail McDonald
9. T. S. Eliot speaks the body: the privileging of female discourse in Murder in the Cathedral and The Cocktail Party Richard Badenhausen
10. T. S. Eliot, women and democracy Rachel Potter
11. Vipers, viragos and spiritual rebels: women in T. S. Eliot's Christian society plays Elisabeth Däumer
Index.
Subject Areas: Literary studies: general [DSB]
