Film Criticism in the Digital Age
Mattias Frey (Edited by), Cecilia Sayad (Edited by), Mattias Frey (Contributions by), Greg Taylor (Contributions by), Cecilia Sayad (Contributions by), Daniel McNeil (Contributions by), Giacomo Manzoli (Contributions by), Paolo Noto (Contributions by), Maria San Filippo (Contributions by), Noah Tsika (Contributions by), Anne Hurault-Paupe (Contributions by), Outi Hakola (Contributions by), Thomas Elsaesser (Contributions by), Jasmina Kallay (Contributions by), Armond White (Contributions by), Nick James (Contributions by)
9780813570730
Hardback, published 20 April 2015
284 pages, 3 photos, 3 tables
22.9 x 15.2 x 2.5 cm, 0.513 kg
"Offers such distinguished critics as Armond White and Nick James a chance to weight in on the need for informed, responsible film criticism in the digital era… Highly recommended."
(Choice) "Frey and Sayad assemble both academic and popular analyses on the dearth – perhaps death – of the working film critic, caught up and rubbed out in the brave new World Wide Web of bottomless blogs and 14-character tweets. Refusing a simplistic 'thumbs up/thumbs down' approach, this useful if fitful anthology merits several stars."
(Journal of Film and Video) "This is a great and highly important volume for film studies as a discipline and cultural and media studies more generally."
- Dana Polan (New York University) "Frey and Sayad assemble both academic and popular analyses on the dearth – perhaps death – of the working film critic, caught up and rubbed out in the brave new World Wide Web of bottomless blogs and 14-character tweets. Refusing a simplistic 'thumbs up/thumbs down' approach, this useful if fitful anthology merits several stars."
(Journal of Film and Video) "This is a great and highly important volume for film studies as a discipline and cultural and media studies more generally."
- Dana Polan (New York University) "Offers such distinguished critics as Armond White and Nick James a chance to weight in on the need for informed, responsible film criticism in the digital era… Highly recommended."
(Choice)
Over the past decade, as digital media has expanded and print outlets have declined, pundits have bemoaned a “crisis of criticism” and mourned the “death of the critic.” Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the status and purpose of film criticism in the twenty-first century.
In Film Criticism in the Digital Age, ten scholars from across the globe come together to consider whether we are witnessing the extinction of serious film criticism or seeing the start of its rebirth in a new form. Drawing from a wide variety of case studies and methodological perspectives, the book’s contributors find many signs of the film critic’s declining clout, but they also locate surprising examples of how critics-whether moonlighting bloggers or salaried writers-have been able to intervene in current popular discourse about arts and culture.
In addition to collecting a plethora of scholarly perspectives, Film Criticism in the Digital Age includes statements from key bloggers and print critics, like Armond White and Nick James. Neither an uncritical celebration of digital culture nor a jeremiad against it, this anthology offers a comprehensive look at the challenges and possibilities that the Internet brings to the evaluation, promotion, and explanation of artistic works.
Acknowledgments
Introduction
Part I: The Critic and the Audience
Chapter 1. Thumbs in the Crowd: Artists and Audiences in the Post-Vanguard World
Chapter 2: Critics Through Authors: Dialogues, Similarities, and the Sense of a Crisis
Chapter 3. “
The Last Honest Film Critic in America”
: Armond White and the Children of James Baldwin
Part II: New Forms and Activities
Chapter 4. The New Democracy? Rotten Tomatoes, Metacritic, Twitter, and IMDb
Chapter 5. The Price of Conservation: Online Video Criticism of Film in Italy
Chapter 6. Before and After AfterEllen: Online Queer Cinephile Communities as Critical Counterpublics
Chapter 7. Elevating the “
Amateur”
: NollywoodCritics and the Politics of Diasporic Film Criticism
Part III: Institutions and the Profession
Chapter 8. American Nationwide Associations of Film Critics in the Internet Era
Chapter 9. Finnish Film Critics and the Uncertainties of the Profession in the Digital Age
Chapter 10. The Social Function of Criticism
or, Why Does the Cinema Have (to Have) a Soul?
Part IV: Critics Speak
Chapter 11. The Critic Is Dead . . .
Chapter 12. What We Don’
t Talk About When We Talk About Movies
Chapter 13. Who Needs Critics?
Chapter 14. Excerpts from Cineaste’
s “
Film Criticism in the Age of the Internet: A Critical Symposium”
Afterword
Selected Bibliography
Notes on Contributors
Index
