Eroticism on the Renaissance Stage
Transcendence, Desire, and the Limits of the Visible

This 1998 book explores eroticism on the early modern English stage, and the analogous suppression of religious drama.

Celia R. Daileader (Author)

9780521623797, Cambridge University Press

Hardback, published 28 November 1998

210 pages, 8 b/w illus.
22.9 x 15.2 x 1.6 cm, 0.48 kg

'In this exciting new book, Celia R. Daileader creates a bold and original thesis from her observation that the early modern theatre featured no actual female bodies … imaginatively invigorates our senses, quickens our intellect and transforms our knowledge.' Mark Thornton Burnett, Theatre Research International

In this 1998 book, Celia Daileader explores the paradoxes of eroticism on the stage in early modern England, where women and their bodies (represented by boy actors) were materially absent and yet symbolically central. Her starting point is the theoretical and theatrical problem of sexual acts that take place offstage, which is a paradigm for the limits of the visible in Renaissance theatre. The space that lies offstage becomes an imaginary realm, encompassing both spiritual and erotic transcendence. In accounting for its power, Daileader looks to the suppression of religious drama in England and the resulting secularization of the stage. Focusing on the link between absence and desire, and discussing a wide range of drama from Corpus Christi plays to Shakespeare, her argument draws together questions about sexuality and the sacred, in the bodies - of Christ and of woman - that are banished from the early modern English stage.

List of illustrations
Acknowledgments
1. Entrances: sex, women, God
2. Offstage sex and female desire
3. Body beneath/body beyond
4. (Off)Staging the sacred
5. Obscene and unseen
6. Ejaculations and conclusions: toward an erotic theoretics
Appendices
Notes
Index.

Subject Areas: Theatre studies [AN]