Documentary Culture and the Making of Medieval English Literature

Emily Steiner describes the rich intersections between legal documents and English literature in the fourteenth and fifteenth centuries.

Emily Steiner (Author)

9780521824842, Cambridge University Press

Hardback, published 29 May 2003

286 pages, 11 b/w illus.
22.9 x 15.2 x 2.1 cm, 0.59 kg

"[T]his attentive and intriguing study will appeal to those interested in legal documents in relaion to medieval literature and cultures. Recommended." Choice

Emily Steiner describes the rich intersections between legal documents and English literature in the fourteenth and fifteenth centuries. The literature of this period, from Passion lyrics to Lollard sermons, abounds in documentary language and metaphors. Steiner argues that documentary culture (including charters, testaments, patents and seals) enabled writers to think in new ways about the conditions of textual production in late medieval England. She explains that the distinctive rhetoric, material form and ritual performance of legal documents offered writers of Chaucer's generation and the generation succeeding him a model of literary practice. Covering a wide variety of medieval texts: sermons, lyrics, Piers Plowman, Mum and the Sothsegger, The Book of Margery Kempe, heretical writings and trial records, this study will be of interest to scholars of medieval literary studies and medieval studies in general.

Part I. Documentary Poetics: 1. Bracton, Deguileville and the defense of allegory
2. Lyric, genre, and the material text
Part II. Langland's Documents: 3. Piers Plowman and the archive of salvation
4. Writing public: documents in the Piers Plowman tradition
Part III. Identity, Heterodoxy, Documents: 5. Lollard community and the Charters of Christ
6. Lollard rhetoric and the written record: Margery Baxter and William Thorpe
Epilogue: 'My lordys lettyr & the seel of Cawntyrbery'.

Subject Areas: Literary studies: general [DSB]